observatoriaОбсерватория культурыObservatory of Culture2072-31562588-0047Russian State Library10.25281/2072-3156-2016-13-6-726-735observatoria-415Research ArticleКАФЕДРАCURRICULUMPerformance studies: концепция и исследовательские подходыThe Performance Studies: One Conception, Several ApproachesРыжаковаСветлана ИгоревнаRyzhakovaSvetlana I.SRyzhakova@gmail.comСироткинаИрина ЕвгеньевнаSirotkinaIrina E.isiro1@yandex.ruИнститут этнологии и антропологии Российской академии наукРоссияInstitute of Ethnology and Anthropology of the Russian Academy of SciencesRussian FederationИнститут истории естествознания и техники Российской академии наукРоссияInstitute for the History of Science and Technology of the Russian Academy of SciencesRussian Federation201628122016136726735Copyright © Рыжакова С.И., Сироткина И.Е., 20162016Рыжакова С.И., Сироткина И.Е.Ryzhakova S.I., Sirotkina I.E.© 2026 ФГБУ "Российская государственная библиотека". Все права защищены. Воспроизведение без письменного разрешения запрещено.© 2026 Russian State Library. All rights reserved. Reproduction without written permission is prohibited.https://observatoria.rsl.ru/jour/article/view/415

Задача статьи - привлечь внимание к од ному из современных направлений гуманитарного знания, известному как performance studies. Этому по нятию пока еще нелегко найти адекватный русский аналог: так называют исследования перформатив ности, театральной антропологии, антропологии зрелищности, этнологии исполнительских форм куль туры. Сегодня часто говорят о «перформативном повороте» - повсеместном переходе от исследований культуры как текста к исследованиям культуры как перформанса. Перформансом называют не только театрализованные представления, культурно марки рованные зрелища, исполнительские (перформатив ные) формы культуры и т. п., но и едва ли не каждое явление и событие. В статье уточняются границы этого понятия, анализируются важнейшие аспекты performance studies и типы перформанса. Предлагает ся описание целей и задач, основных исследователь ских подходов, терминологии названной области, а также анализ функций и контекстов различных пер формансов. Дается обзор современной литературы, анализируются отдельные труды и серии моногра фий, развивающие эту область антропологии.

The article aims to bring the performance studies - one of modern directions of the humanities - to the attention of Russian researchers. Our world is the world of sound, movement, and gesture, as much as it is visual. The article deals with the performance studies as a distinct field of knowledge in the humanities and social sciences. This conception is still difficult to translate ade quately in Russian. The authors consider various transla tions of the English terms “performance” and “performance studies” into the Russian language. They also analyze va rious aspects of the “performativity” in culture, offer a brief glossary of the basic concepts, describe some analytical tools, and explore the culture of performance and its so cial functions. The article reviews recent literature in this area of anthropology, analyzes some of the works and se ries of monographs.

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The authors declare that there are no conflicts of interest present.