Dialogue in the Arts: Interaction of Languages of Painting and Cinema
https://doi.org/10.25281/2072-3156-2015-0-1-30-34
Abstract
Explores the objectlanguage laws in visual arts and the interrelation of art signs that are employed in painting and cinematography. The author addresses the “Age of Innocence” by Martin Scorsese and analyses the cinema art speech as determined by the objectlanguage of the painting styles, namely the impressionism, pointillism, Art Nouveau, etc. The artistic culture is described as a dialogue space where languages of various types of arts reveal their origin from a single source and make their capacity of general understanding messages produced in culture obvious.
About the Author
Maria V. Tarasova
Гуманитарный институт Сибирского федерального университета (Красноярск)
Russian Federation
Russian Federation
References
1. Zhukovskij V. I. Teoriya izobrazitel’nogo iskusstva. — SPb.: Aletejya, 2011.
2. Tarasova M. V. i dr. Vseobshhaya istoriya iskusstva. — Krasnoyarsk: Sib. feder. un-t, 2008.
3. Tarasova M. V., Zhukovskij V. I. Kommunikativnye osnovy khudozhestvennoj kul’tury: monografiya. — Krasnoyarsk: Sib. feder. un-t, 2010.
Review
For citations:
Tarasova M.V. Dialogue in the Arts: Interaction of Languages of Painting and Cinema. Observatory of Culture. 2015;(1):30-34. (In Russ.) https://doi.org/10.25281/2072-3156-2015-0-1-30-34
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