“Frost” on Tin — a Technique of Russian Chest Production
https://doi.org/10.25281/2072-3156-2022-19-3-274-283
Abstract
“Frost” on tin is a decorating technique widely used in the Russian chest production of the 19th—20th centuries. The technology is based on the crystallization of molten tin plate (a mixture of tin and lead) with the addition of water droplets and a chemical reaction on the crystallized tin plate of a mixture of sulfuric and nitric acids. The technique of “frost” on tin as one of the means of decorating chests and caskets has not been previously devoted to a special study. The purpose of this paper is to identify the origins and significance of this technique in the history of chest production in Russia, to determine its artistic features in comparison with foreign items, as well as to analyze specific works. Items from the collection of the Folk Art Department of the State Russian Museum were used as research material. The chronological framework of the study is the 19th—20th centuries. The author of the paper concludes that the “frost” on tinwas extremely popular over a vast territory. This technique was not a feature of the applied art only of Veliky Ustyug. For a long time, it played an important role in decorating chests, caskets, cellarets and boxes. In some centers, this technique successfully competed with painting. Perhaps, the “frost” on tin was a borrowed phenomenon. This had become possible due to the favorable conditions associated not only with trade but also with the development of the culture of certain regions of Russia. The foreign technique was adapted by Russian craftsmen in accordance with local artistic traditions.
About the Author
Gleb A. PudovRussian Federation
4, Inzhenernaya Str., St. Petersburg, 198151, Russia
ORCID 0000-0001-7270-8065; SPIN 4343-6211
References
1. Arsenyev F.A. Vologodskaya guberniya: ocherk kustarnykh promyslov po izdeliyam, sobrannym Vologodskim gubernskim zemstvom [Vologda Governorate: An Essay of Handicrafts Based on Items Collected by the Vologda Governorate Zemstvo]. Vologda, Vologodskogo Gubernskogo Pravleniya Publ., 1882, 38 p.
2. Komarov V.V. Let’s Restore the Forgotten Crafts, Sovetskaya mysl’ [Soviet Thought], 1934, no. 288, p. 3 (in Russ.).
3. Gorpenko A.E. Russian Perforated Iron of the 17th — 18th Centuries, Sbornik trudov NIIKhP [Collected Works of the Research Institute of the Art Industry], issue 3. Moscow, 1966, pp. 119—147 (in Russ.).
4. Merzon A.Ts., Tikhonov Yu.A. Rynok Ustyuga Velikogo v period skladyvaniya vserossiiskogo rynka (XVII vek) [The Market of Veliky Ustyug during the Formation of the All-Russian Market (17th Century)]. Moscow, 1960, 715 p.
5. Kapustina A.V., Syrovatskaya L.N., Chebykina G.N. Veliky Ustyug. Veliky Ustyug, VUGIAKhMZ Publ., 2007, 96 p. (in Russ.).
6. Fiske J. When Oak was New: English Furniture & Daily Life 1530—1700. Ipswich, Massachusetts, The Belmont Press Publ., 2013, 266 p.
7. Zverev P.N. (ed.) Promysly Ekaterinburgskogo uezda Permskoi gubernii [Crafts of the Yekaterinburg District of the Perm Governorate]. Yekaterinburg, Ekaterinburgskoe Uezdnoe Zemstvo Publ., 1889, 453 p.
8. Alekseeva E.V. Some Results and Prospects of Studying the Value of Foreign Technological Experience in the Creation of New Industries and the Development of Industrial Production in the Urals, Shestye Tatishchevskie chteniya. Tezisy dokladov i soobshchenii. Ekaterinburg, 20—21 aprelya 2006 g. [The Sixth Tatishchev Readings. Abstracts of Reports and Papers. Yekaterinburg, April 20—21, 2006]. Yekaterinburg, Institut Istorii i Arkheologii URO RAN Publ., 2006, vol. 1, pp. 66—81 (in Russ.).
9. Bondarenko F.V., Mikityuk V.P., Shkerin V.A. British Mechanics and Businessmen in the Urals in the 19th — Early 20th Century, Ocherki istorii Urala: Vypusk 55 [Essays on the History of the Urals: Issue 55]. Yekaterinburg, Bank Kul’turnoi Informatsii Publ., 2009, 88 p.
10. Ustyantsev S.V., Logunov E.V. English Technological Experience and Ural Mining Plants of the 19th Century, Ocherki istorii Urala: Vypusk 55 [Essays on the History of the Urals: Issue 55]. Yekaterinburg, Bank Kul’turnoi Informatsii Publ., 1992, 127 p.
11. Silonova O.N. The Influence of Artistic Décor of 18th — Early 19th Century Western European Varnish Centres on the Work of Demidov Nizhny Tagil Plant, Izvestiya Ural’skogo Federal’nogo Universiteta. Seriya 2: Gumanitarnye nauki [Ural Federal University Journal. Series 2. Humanities and Arts], 2015, no. 3 (142), pp. 236—248 (in Russ.).
12. Pickvance C. Regional Differences in Medieval Chest Construction: A Dendrochronological and Comparative Study of the Buxted, Sussex, and Hindringham and Walcott, Norfolk Pin-Hinged Clamped Chests, Regional Furniture, 2020, vol. XXXIV, pp. 1—50.
13. Kuchin F.G. Chest Craft, Materialy po opisaniyu promyslov Vyatskoi gubernii [Materials on the Description of Crafts of the Vyatka Governorate]. Vyatka, Maisheeva Publ., 1890, issue 2, pp. 44—97 (in Russ.).
14. Pudov G.A. Sunduchnyi promysel Muromskogo uezda Vladimirskoi gubernii (II polovina XIX — I polovina XX veka) [The Chest Production of the Murom District of the Vladimir Governorate (2nd Half of the 19th — 1st Half of the 20th Century)]. St. Petersburg, Spetsial’naya Literatura Publ., 2017, 111 p.
15. Fedorov V.M. About the Chest Production in the City of Makaryev, Nizhegorodskii sbornik, izdavaemyi Nizhegorodskim gubernskim statisticheskim komitetom pod redaktsiei deistvitel’nogo chlena i sekretarya Komiteta A.S. Gatsiskogo [The Nizhny Novgorod Collection, Published by the Nizhny Novgorod Governorate Statistical Committee under the Editorship of the Full Member and Secretary of the Committee A.S. Gatsisky]. Nizhny Novgorod, 1890, vol. X, pp. 191—207 (in Russ.).
16. Kolchin B.A. Tekhnika obrabotki metalla v drevnei Rusi [Metalworking Techniques in Ancient Russia]. Moscow, Mashgiz Publ., 1953, 160 p.
17. Lukin M.P., Davydova N.M. Narodnoe iskusstvo ustyuzhan [The Folk Art of Veliky Ustyug]. Vologda, Severo-Zapadnoe Publ., 1971, 64 p.
18. Katalog s ob’’yasnitel’nym tekstom kollektsii po kustarnoi promyshlennosti, predstavlennykh gubernskim i uezdnymi zemstvami Permskoi gubernii na sostoyashchuyu pod avgusteishim Ee Imperatorskogo Velichestva Gosudaryni Imperatritsy Aleksandry Feodorovny Vserossiiskuyu kustarno-promyshlennuyu vystavku 1902 goda v Peterburge [Catalog, with an Explanatory Text, of the Collections on Handicraft Production Presented, by the Governorate and District Zemstvos of the Perm Governorate, at the All-Russian Handicraft Production Exhibition Held in 1902 in St. Petersburg, under the August Authority of Her Imperial Majesty Empress Alexandra Feodorovna]. Perm, Gubernskoi Zemskoi Upravy Publ., 1902, 239 p.
19. Pudov G.A. About the Ural Chest Production, Stranitsy istorii otechestvennogo iskusstva: sbornik statei po materialam nauchnoi konferentsii. Russkii muzei: Sankt-Peterburg [Pages of the History of Russian Art: Proceedings of the Scientific Conference. State Russian Museum: St. Petersburg], 2011, issue XVIII, pp. 258—270 (in Russ.).
20. Shatrov M.N. V pomoshch’ kustaryu: sbornik prakticheskikh sovetov i ukazanii po raznym remeslam i promyslam [To Help an Artisan: A Collection of Practical Advice and Instructions for Various Crafts and Trades]. Kirov, Kirovskoe Oblastnoe Publ., 1938, 288 p.
21. Spisok nagrad, prisuzhdennykh na Kazanskoi nauchno-promyshlennoi vystavke 1890 g., sostoyavshei pod pokrovitel’stvom ego Imperatorskogo Vysochestva gosudarya naslednika Tsesarevicha [List of Awards of the Kazan Scientific and Industrial Exhibition of 1890, Held under the Patronage of His Imperial Highness the Sovereign Heir Crown Prince]. Kazan, 1890, 116 p.
22. Katalog Vyatskogo kustarnogo otdela na Kazanskoi nauchno-promyshlennoi vystavke 1890 g.: kratkii ocherk kustarnoi promyshlennosti Vyatskoi gubernii [Catalog of the Vyatka Handicraft Department at the Kazan Scientific and Industrial Exhibition of 1890: A Brief Outline of the Handicraft Production of the Vyatka Governorate]. Vyatka, Gubernskaya Publ., 1890, 62, 45 p.
23. Podrobnyi ukazatel’ po otdelam Vserossiiskoi promyshlennoi i khudozhestvennoi vystavki 1896 g. v Nizhnem Novgorode: otdel XI: kustarnye promysly [Detailed Index of the Sections of the All-Russian Industrial and Art Exhibition of 1896 in Nizhny Novgorod: Section XI: Handicrafts]. Moscow, Russkago T-va Pechatnogo i Izdatel’skogo Dela Publ., 1896, 109 p.
24. Miller Yu.A. About Some Contacts of the 16th—17th Centuries Turkish Art with the Artistic Culture of Other Countries, Trudy Gosudarstvennogo Ermitazha. T. XIX. Kul’tura i iskusstvo narodov Vostoka: 8 [Proceedings of the State Hermitage Museum. Vol. XIX. Culture and Art of the Peoples of the East: 8]. Leningrad, Avrora Publ., 1978, pp. 106—114 (in Russ.).
25. Atasoy N. Impressions of Ottoman Culture in Europe: 1453—1699. Istanbul, Armaggan Publ., 2012, 443 p.
26. Anov N. Frost on Tin, Sovetskaya mysl’ [Soviet Thought], 1934, no. 271, p. 3 (in Russ.).
- «Frost» on tin is one of the main decorating techniques, which was used in the Russian chest craft. It was based on a chemical reaction that occurred during the interaction of sulfuric and nitric acids.
- This technique was used in all the main centers of the chest production of Russia. It also met abroad, for example, in Turkey.
- It is possible that Russian masters have adopted the «frost» on tin from their Western European colleagues. However, it is not the fact of borrowing that is more important, but the result of adapting foreign technology to new conditions.
Review
For citations:
Pudov G.A. “Frost” on Tin — a Technique of Russian Chest Production. Observatory of Culture. 2022;19(3):274-283. (In Russ.) https://doi.org/10.25281/2072-3156-2022-19-3-274-283