Chinese Snowscape As a Phenomenon
https://doi.org/10.25281/2072-3156-2024-21-1-28-36
Abstract
With unique aesthetic value, snowy landscapes are one of the most important subjects in Chinese painting. Due to their purity, elegance, serenity, simplicity and cold charm, snow scenes have been the focus of artists and scholars from long ago. The artistic features and cultural connotations of Chinese snow paintings have attracted the attention of many Chinese and Russian scholars. However, there is no typological study of snow landscape in their works. In this regard, the authors consider it necessary to actualize this topic. The article provides historical information about the study of snowy landscape, the history of Chinese painting masters’ appeal to this theme. The classification of snow painting depending on seasons, geographical regions of China, atmospheric phenomena, and themes is offered. The authors suggest their definition of the concept of “Chinese snow landscape” and the author’s classification of the content of snow paintings. The paper applies a typological approach to the analysis of “snow” scenes, and examines the development of traditional Chinese aesthetic contexts from ancient artistic codes to contemporary theories. Outstanding examples of snow landscape painting are presented. Snow painting is an important medium of Chinese cultural heritage that demonstrates the diversity and richness of Chinese culture. The given overview of China’s snow scene painting as a phenomenon in the work of Chinese artists can serve as a basis for further in–depth studies.
About the Authors
Zhuy ChanRussian Federation
10 Ajax, Vladivostok, 690922, Russia
ORCID 0009-0005-9394-9980
Galina V. Alekseeva
Russian Federation
10 Ajax, Vladivostok, 690922, Russia
ORCID 0000-0001-6733-9429; SPIN 2263-0610
References
1. Lan Chengkai. About a Snow Landscape, New Art, 2003, no. 1, pp. 61—63 (in Chin.).
2. Yu Jingze. Snow Landscape Technique in Chinese Painting and My Works, Cand. art sci. dis. abstr. Nanjing, Nanjing Normal University Publ., 2019, 30 p. (in Chin.).
3. Liu Guirong. The Meaning of Life in Ancient Chinese Snow Landscape Painting, Chinese Cultural Studies, 2012, no. 4, pp. 164—171 (in Chin.).
4. Du Xuetian. A Brief Survey of Ancient Chinese Snow Landscapes in the “Flower and Bird” Style, Cand. art sci. dis. abstr. Hangzhou, China Academy of Art Publ., 2016, 35 p. (in Chin.).
5. Liu Jianing. Research on the Evolution of Snow Landscape Painting. Qufu, Qufu Normal University Publ., 2013, 24 p. (in Chin.).
6. Zhang Yana. Research on Contemporary Painting of Ice and Snow Landscapes, Cand. art sci. dis. Zhenjiang, Jiangsu University Publ., 2018, 78 p. (in Chin.).
7. Belozerova V.G. Spatial Constructions in Chinese Fine Art from the Hans to the Tangs, Obshchestvo i gosudarstvo v Kitae: XLII nauchnaya konferentsiya [Society and State in China: The 42nd Scientific Conference]. Moscow, 2012, vol. 42, no. 2, pp. 373—379 (in Russ.).
8. Stepanskaya T.M. Exhibition — a Traditional Form of Art Life in the Region: The Main Directions of Its Modernization, Muzei v kontekste regional’noi kul’tury: 50-letiyu Novokuznetskogo khudozhestvennogo muzeya: materialy mezhregional’noi nauchno-prakticheskoi konferentsii (15—17 noyabrya 2011 g.) [Museum in the Context of Regional Culture: The 50th Anniversary of the Novokuznetsk Art Museum: Proceedings of the Interregional Scientific and Practical Conference (November 15—17, 2011)]. Novokuznetsk, 2012, pp. 103—110 (in Russ.).
9. Rinchinova M.M. Painting as a Phenomenon of Chinese Culture, Vestnik Kemerovskogo gosudarstvennogo universiteta kul’tury i iskusstv [Bulletin of Kemerovo State University of Culture and Arts], 2020, no. 53, pp. 213—220 (in Russ.).
10. Neglinskaya M.A. On the Current Trends of Contemporary Chinese Art and Prospects for Its Study, Obshchestvo i gosudarstvo v Kitae: sbornik materialov konferentsii [Society and State in China: The 40th Scientific Conference]. 2010, vol. 40, pp. 403—415 (in Russ.).
11. Lebedev N.S. Dao kak osevaya universaliya kitaiskoi kul’tury [Tao as the Axial Universal of Chinese Culture], Cand. cult. sci. dis. Ivanovo, Ivanovskii Gosudarstvennyi Universitet Publ., 2013, 23 p.
12. Wang Zan. Reundestanding the Historical Significance of Jing Hao’s Bifaji, New Art, 2022, no. 43 (05), pp. 170—181 (in Chin.).
13. Chen Chuanxi. Research on the Theory of Painting of the Six Dynasties. Tianjin, Tianjin Renmei Publ., 2006, pp. 99—100 (in Chin.).
14. Wang Wei. Landscape Design, Landscape Theory. Beijing, People’s Fine Arts Publ., 2016, 21 p. (in Chin.).
15. Guo Xi. Notes on “Lin Quan Gao Zhi”. Beijing, Shang Shui Publ., 2010, 288 p. (in Chin.).
16. Sun Yu. The Special Context of the Shape and Pattern of North and South: A Study of the Cultural Information Behind Dong Qichang’s Painting Theory, Journal of Guizhou University, 2022, no. 36 (06), pp. 62—68 (in Chin.).
17. Zhao Ji. Geography of China. Beijing, Higher Education Press Publ., 1995, 342 p. (in Chin.).
18. Han Zhuo. Complete Works. Beijing, Beijing Culture Development Company Publ., Huiyuan Wenyuan, 2015, 29 p. (in Chin.).
19. Li Yuchun. The Influence of Traditional Chinese Culture on Snow Landscape Painting, Literature and Art, 2014, no. 3, pp. 225—228 (in Chin.).
20. Wang Xuanping. Research on the Relationship Between Space and Artistic Concept of Jing Hao’s Work and “Three Family Landscapes”, Cand. art sci. dis. abstr. Tianjin, Tianjin Academy of Fine Arts Publ., 2022, 18 p. (in Chin.).
21. Hao Yuan. Research on Ancient Traditional Snow Landscapes with Flowers and Birds, Cand. art sci. dis. abstr. Taiyuan, Shanxi Normal University Publ., 2021, 62 p. (in Chin.).
22. Yu Yuan. Introduction to Forty-Two Poems. Beijing, Peking University Press Publ., 2012, 148 p. (in Chin.).
23. Ren Baozhong. Research on Ancient Chinese Snow Landscape and Watercolour Painting, Doct. art sci. dis. Beijing, China Academy of Arts Publ., 2013, 104 p. (in Chin.).
24. Jiang Wenguang. Introduction to Famous Chinese Paintings of All Eras. Beijing, Jingdong Publ., 2004, vol. 1, 2546 p. (in Chin.).
25. Alekseev-Apraksin A.M. New Silk Road: Pro Culturae, Observatoriya kul’tury [Observatory of Culture], 2022, vol. 19, no. 3, pp. 228—235. DOI: 10.25281/2072-3156-2022-19-3-228-235 (in Russ.)
Review
For citations:
Chan Zh., Alekseeva G.V. Chinese Snowscape As a Phenomenon. Observatory of Culture. 2024;21(1):28-36. (In Russ.) https://doi.org/10.25281/2072-3156-2024-21-1-28-36