Preview

Observatory of Culture

Advanced search

Synthetic Ideas of Giovanni Lorenzo Bernini in the 20th Century: to the History and Theory of Performance

https://doi.org/10.25281/2072-3156-2015-0-5-66-71

Abstract

The article demonstrates relevance of the synthetic ideas of the Italian architect, sculptor and artist Giovanni Lorenzo Bernini (1598-1680) in the modern performance art, which has become a landmark in the 20th century in terms of the Actionism manifestation. The chosen subjects (the absurdist situation and the actual event), as well as the methods for their dramatic composition and the applied means of their expression, characterize the performance of the 20th century, which gives us a reason to examine the position of Bernini and the position of one of the most actual genres in the modern world more closely.

About the Author

Vladislav O. Petrov
Astrakhan State Conservatory
Russian Federation


References

1. Goldberg R. Iskusstvo performansa ot futurizma do nashih dnej [Performance Art: From Futurism to the Present]. Moscow, Ad Marginem Press, 2014, 320 p.

2. Nazajkinskij E. V. Prostranstvennaja muzyka. Teorija sovremennoj kompozicii. Moscow, Muzyka, 2007, pp. 450—464.

3. Orlov G. Drevo muzyki. St. Petersburg, 2005, 440 p.

4. Petrov V. O. Akcionizm John’a Cage’a: osnovnye formy i specifika ih voploshhenija. Kul’tura i iskusstvo, 2014, no. 4, pp. 444—456.

5. Petrov V. O. Instrumental’nyj teatr 20 veka: voprosy istorii i teorii zhanra. Astrahan’, AIPKP Publ., 2013, 355 p.

6. Petrov V. O. Muzykal’nyj akcionizm: performans, happening, mul’timedijnoe sobytie. Proc. of the internat. conf. “7 Serebrjakovskie nauchnye chtenija” (Volgograd, 17—19.04.2009). Volgograd, 2010, vol. 1, pp. 37—61.

7. Petrov V. O. Pod znakom performansa. Muzykal’naja akademija, 2012, no. 2, pp. 123—127.

8. Lucignani L. Il gran teatro di Bernini. La Republica, 11.04. 1992.


Review

For citations:


Petrov V.O. Synthetic Ideas of Giovanni Lorenzo Bernini in the 20th Century: to the History and Theory of Performance. Observatory of Culture. 2015;(5):66-71. (In Russ.) https://doi.org/10.25281/2072-3156-2015-0-5-66-71

Views: 910


ISSN 2072-3156 (Print)
ISSN 2588-0047 (Online)