Preview

Observatory of Culture

Advanced search

Analysis of Terminology in the Stereoscopic Cinematography

https://doi.org/10.25281/2072-3156-2016-13-6-689-695

Abstract

In the modern Russian language, there is a syno nymy of the two terms in the area of stereoscopic cinema: “stereo” and “3D”. The evolutionary analysis of the terms shows that the synonymy appeared because the Russian fi lm industry and cinematic science and engineering had been destructed in 1990s and 2000s, and imported technologies and equipment solely seized the modern domestic fi lm indus try. The pragmatic analysis of the terms reveals no signifi cant advantages of either of the terms. The semantic ana lysis of the terms enables to recommend the film industry to use preferably the term “stereo” for it is correctly oriented and has the highest possible accuracy, while leaving the term “3D” only for commercial and advertising use.

About the Author

Oleg N. Raev
Gerasimov Institute of Cinematography
Russian Federation


References

1. Grinev-Grinevich S.V. Terminology: High School Student’s Textbook. Moscow, Akademiya Publ., 2008, 304 p.

2. Lotte D.S. Some Basic Issues in Selection and Construction of Scientifi c and Technical Terms. Moscow, Leningrad, Aka demii Nauk SSSR Publ., 1941, 24 p. (in Russ.)

3. Stereo, Bol’shaya sovetskaya entsiklopediya [Big Soviet Encyclopedia]. Moscow, Sovetskaya Entsiklopediya Publ., 1976, vol. 24, book I, p. 495, art. 1471.

4. Modern English Dictionary, in 2 vols., Moscow, Russkii Yazyk Publ., 1992, vol. 1, 626 p., vol. 2, 1229 p.

5. Myuller V.K. English-Russian Dictionary: 53 000 Words, ed. 23, Moscow, Russkii Yazyk Publ., 1990, 848 p.

6. Chernukhin A.E. (ed.) English-Russian Polytechnic Dictionary, ed. 4, Moscow, Russkii Yazyk Publ., 1979, 688 p.

7. Raev O.N. Glubina prostranstva v kinofi l’me [Depth of Space in Film], Innovatsionnye tekhnologii v kinematografe i obrazovanii: II Mezhdunarodnaya nauchno-prakticheskaya konferentsiya, Moskva, 21—25 sentyabrya 2015 g.: materialy i doklady [Proc. 2nd Int. Conf. “Innovative Technologies in Cinematography and Education”, Moscow, 2015, September, 21—25], Moscow, VGIK Publ., 2015, pp. 30—45.

8. Rozhkova G.I., Alekseenko S.V. Visual Discomfort with Stereo Perception as a Result of Unusual Load Distribution on Various Mechanisms, Zapis’ i vosproizvedenie ob’’emnykh izobrazhenii v kinematografe i drugikh oblastyakh : III Mezhdunarodnaya nauchno-tekhnicheskaya konferentsiya, Moskva, 21—22 aprelya 2011 g.: materialy i doklady [Proc. 3rd Int. Conf. “Recording and Playback of Stereoscopic Images in Cinematography and Other Fields”, Moscow, 2011, April, 21—22], Moscow, MKBK Publ., 2012, pp. 19—46.

9. Ivanov G.I. Stereoskop i stereoskopicheskie kartiny kak uchebnoe posobie dlya sem’i i shkoly [Stereoscopy and Stereoscopic Images as a Textbook for Family and School]. St. Petersburg, 1906, 16 p.

10. Maiorov N.A. On Restoration of Soviet Stereofi lms, Zapis’ i vosproizvedenie ob’’emnykh izobrazhenii v kinematografe i drugikh oblastyakh: VII Mezhdunarodnaya nauchno-prakticheskaya konferentsiya, Moskva, 23—25 aprelya 2015 g.: materialy i doklady [Proc. 7th Int. Conf. “Recording and Playback of Stereoscopic Images in Cinematography and Other Fields”, Moscow, 2015, April, 23—25], Moscow, VGIK Publ., 2015, pp. 35—50.

11. Rozhkov S.N., Ovsyannikova N.A. Stereoskopiya v kino-, foto-, videotekhnike: terminologicheskii slovar’ [Stereoscopy in Film, Photo and Video Engineering. Terminology Dictionary]. Moscow, Paradiz Publ., 2003, 136 p.

12. Komar V.G., Serov O.B. Izobrazitel’naya golografi ya i golografi cheskii kinematograf [Graphic Holography and Holographic Cinematography]. Moscow, Iskusstvo Publ., 1987, 286 p.


Review

For citations:


Raev O.N. Analysis of Terminology in the Stereoscopic Cinematography. Observatory of Culture. 2016;13(6):689-695. (In Russ.) https://doi.org/10.25281/2072-3156-2016-13-6-689-695

Views: 814


ISSN 2072-3156 (Print)
ISSN 2588-0047 (Online)