Portal to the Past: Depiction of Space in the Book Miniatures in the Renaissance Venice
https://doi.org/10.25281/2072-3156-2018-15-3-309-320
Abstract
References
1. Shidlovskaya E.V. All’antica Motifs in the Italian Quattrocento Book Illustrations, Iskusstvoznanie [Art Studies], 2012, no. 1—2, pp. 189—222 (in Russ.).
2. Canova G.M. Illuminated Miniatures —Vehicles for Antiquity, In the Light of Apollo. Italian Renaissance and the Greece. Athens, Silvana Editoriale Publ., 2003, pp. 258—260.
3. Toniolo F. The Art of the Book. Manutius and the Illustrated Book in Venice between the Fifteenth and Sixteenth Centuries, Aldo Manuzio. Renaissance in Venice. Venice, Marsilio Publ., 2016, pp. 91—105.
4. Rotenberg E.I. Stankovaya kartina ital’yanskogo Kvatrochento. Manten’ya, Iskusstvoznanie [Art Studies], 2004, no. 2, pp. 5—64.
5. Fortini Brown P. Venice and the Antiquity. The Venetian Sense of the Past. New Haven and London, Yale University Press, 1996, 361 p.
6. Schröter E. Eine unveröffentliche Sueton-Handschrift in Göttingen aus dem Atelier des Bartolomeo Sanvito, Jahrbuch der Berliner Museen, 1987/1988, vol. 29/30, pp. 71—121.
7. Signorini M. A script of Bartolomeo Sanvito, Getty Research Journal, 2011, no. 3, pp. 151—161.
8. Brown D.A. Leonardo da Vinci. Origins of a Genius. New Haven and London, Yale University Press, 1998, 248 p.
9. Joost-Gaugier C.L. A Pair of Miniatures by a Panel Painter: The Earliest Works of Giovanni Bellini? Paragone Arte, 1979, no. 357, pp. 48—71.
10. Righetti M. Indagini su Gerolamo da Cremona mi¬niature, Arte Lombarda, 1974, vol. 19, pp. 32—42.
11. Winter, De P.M. Girolamo da Cremona, The Dictionary of Art. New York, Grove Publ., 1996, vol. 12, pp. 733—735.
12. Fumians S. Due codici veneti poco noti nella biblioteca di Federico da Montefeltro, Arte veneta. 2002, no. 59, pp. 22—38.
13. Vel’chinskaya I.L. K voprosu o prostranstvennoi srede Yana van Eika [On the question of the spatial environment of Jan van Eyck], Voprosy iskusstvo¬znaniya [Issues of Art Studies], 1996, vol. 8, no. 1, pp. 236—250 (in Russ.).
14. Bollati M. Bordon, Benedetto, The Dictionary of Art. New York, Grove Publ., 1996, vol. 4, pp. 397—398.
15. Massing J.M. “The Triumph of Caesar” by Benedetto Bordon and Jacobus Argentoratensis. Its Icono¬graphy and Influence, Print Quarterly, 1990, no. 7, pp. 2—21.
16. Chechik L.A. The representation of Jerusalem in early Venetian Renaissance painting, Iskusstvoznanie [Art Studies Magazine], 2013, no. 3—4, pp. 317—335 (in Russ.).
17. Armstrong L. Benedetto Bordon, Miniator, and Cartographer in Early Sixteenth-Century Venice, Imago Mundi, 1996, no. 48, pp. 65—92.
18. Zolotova E.Yu. Miniatures of the of Benedetto Bordon’s Workshop in Moscow Collections, Kul’tura, epokhi i stil’: klassicheskoe iskusstvo Zapada [Culture, Epoch and Style: Classical Art of the West : article coll. in honor of 70th anniversary of M. Sviderskaya]. Moscow, Galart Publ., 2010, pp. 248—259 (in Russ.).
19. Armstrong L. The Master of the Rimini Ovid // A Miniaturist and Woodcut Designer in Renaissance Venice, Print Quarterly, 1993, vol. 10, no. 4, pp. 327—363.
20. Donin A.N. Space and Time in the Durer Landscape Watercolors, Iskusstvoznanie [Art Studies Magazine], 2005, no. 2, pp. 54—65.
Review
For citations:
Yaylenko E.V. Portal to the Past: Depiction of Space in the Book Miniatures in the Renaissance Venice. Observatory of Culture. 2018;15(3):309-320. (In Russ.) https://doi.org/10.25281/2072-3156-2018-15-3-309-320