Semantics of Transition: Death and Resurrection of the Hero in Film Fantasy at the Turn of the 20th—21st Centuries

The article is devoted to the study of human metaphysical experience through cinema art. The material of the study is widely known fantasy films (“The Lord of the Rings”, “The Matrix”, “Harry Potter”, “The Chronicles of Narnia”, “Avatar”), in which the sacral space is realized as a magical fairy tale or a dream, and the hero acting in it is identified with the concept of “soul” or “consciousness”. The aim of the study is to semantically and cognitively analyze the visual image of transition through death, which is offered to the viewer by cinematography, and to model the director’s concepts included in it. The author’s concept of transition is based on the works of M. Eliade, A. van Gennep, C.G. Jung, M.P. Hall and is revealed as a multi-phase process of soul transformation in the conditions of spiritual or perceptual crisis. It is established that the transition scenario in the films considered includes an “entry point” into another world, a series of initiations and an “exit point”. In this context, death and resurrection are the climactic phase and have different symbolic connotations, their essence depending on the prototype that the hero imitates. As it has been revealed, the imitation of cyclical forces of nature (solar, agrarian deities) by contemporary directors is interpreted by them as a long stage of soul maturation, which is no longer opposed to, but naturally precedes the imitation of the “divine archetype” (in the Christian tradition, Christ the Saviour). The axis of transition from forced submission to the endless cycle of renewal to the evolutionary stage of spiritual maturity is the act of “awakening” expressed in the willingness to voluntarily sacrifice oneself out of love and compassion for others. Death and resurrection in this case manifest the metaphysical transformation of the soul aspect into the spiritual one. At the same time, in the process of studying the film material, a tendency of a transgressive nature was detected, namely the replacement of the concept “soul” by the concept “brain”. As a result of identifying the functions of the human brain with the functions of a computer in the mental space, there is a danger of substitution of the divine image by artificial intelligence, which can provoke the blocking of the channel “soul – spirit” and the involutionary turn from spirit to matter.

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