Festival Movement in Volgograd in 1980s - 2000s: the Lineage of Continuity
https://doi.org/10.25281/2072-3156-2015-0-5-121-127
Abstract
The article analyses the lineage of continuity and interaction and brings out the commonalities, trends and patterns in the development of the festival movement in Volgograd during the three decades by the example of contemporary art festivals. It highlights the main functions of festivals in the region as well.
Keywords
«Неопознанное движение»,
«Банаро»,
«Кайфедра»,
«Новое движение»,
«Видеология»,
«Субъектив»,
Festival Movement,
Volgograd,
Avant-garde,
Contemporary Art,
Experimental Artistic Practices,
“Unidentified Movement”,
“Banaro”,
“Kayfedra”,
“New Movement”,
“Videologia”,
Video Art,
“Subjective”,
Festival
About the Author
Anton V. Valkovsky
Volgograd State Socio-Pedagogical University; State Autonomous Cultural Institution of the Volgograd Region “Agency for Cultural Initiatives”
Russian Federation
Russian Federation
References
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2. Vasil’ev S., Mashkov A. “Kvas zakazan”: nekotorye razmyshleniya posle festivalya “Neopoznannoe dvizhenie-3”, Vechernii Volgograd, 12.11.1988, p. 3.
3. Gubaidullina E. Politika tela, Kul’tura, 05.11.1994, p. 3.
4. Danilova T. Manifestatsiya “Banaro”, MIG, 19.04.1992, p. 6.
5. Danilova T. Margarita Moizhes: “Khochu, chtoby Volgograd stal baletnym gorodom”, MIG, 30.09.1994, p. 1.
6. Epikhin M. Na gorizonte poyavilos’ novoe i zagadochnoe svetilo, Molodoi, 25.04.1997, p. 4.
7. “Neopoznannoe dvizhenie”. Available at: http://vk.com/club50178687 (accessed 13.07.2014)
8. Remp Ya. Bertoletova sol’, ili Kak szhech’ Prado, Molodoi leninets, 16.11.1991, p. 5.
9. Slavin M. Festival’nyi postskriptum, Molodoi leninets, 16.11.1991, p. 6.
10. Khrustaleva S. V Evrope proekty podozhdut, Vechernii Volgograd, 14.01.1995, p. 3.
Review
For citations:
Valkovsky A.V. Festival Movement in Volgograd in 1980s - 2000s: the Lineage of Continuity. Observatory of Culture. 2015;(5):121-127. (In Russ.) https://doi.org/10.25281/2072-3156-2015-0-5-121-127
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