Sapozhnikovs’ Ecclesiastical Painting from the Points of View of Archimandrite Photios and the Archeologist G. D. Filimonov
https://doi.org/10.25281/2072-3156-2015-0-6-52-56
Abstract
The article is devoted to the points of view of archimandrite Photios and the scientist-archeologist G. D. Filimonov on the creative work of Sapozhnikov brothers, Moscow guild icon-painters of the early 19th century. While Photios would see in the mural and iconic works by the Sapozhnikovs the evidence of firmness of the ancient icon-painting school, Filimonov conversely perceived them as a proof of development opportunities for the authentic Russian folk art. The reason for such a sharp difference between their opinions was a distorted understanding of the ecclesiastical painting’s nature in the Modern Age as well as of the origin of its stylistic and iconographic dissimilarity.
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Review
For citations:
Maslov K.I. Sapozhnikovs’ Ecclesiastical Painting from the Points of View of Archimandrite Photios and the Archeologist G. D. Filimonov. Observatory of Culture. 2015;(6):52-56. (In Russ.) https://doi.org/10.25281/2072-3156-2015-0-6-52-56
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