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The Casus of Artemy Lebedev in the Context of Professional Designer’s Mythology Formation

https://doi.org/10.25281/2072-3156-2017-14-4-411-415

Abstract

The article deals with mythological structures of the phenomenon of professional designer’s tradition. For a long time, professional design was deemed a “by-product” phenomenon and a periphery of the “true” art, and therefore it was studied insufficiently. Only at the cusp of the 20th and 21st centuries, the designing activity in Russia became a separate profession, which allowed forming its own corporate culture. Researching this culture is a new and actual scientific problem, because of development of the profession of designer and its growing importance in the contemporary socio-cultural spaces. This area includes specific norms, values and ima-
ginative beliefs, which allow to advance the hypothesis that they can be considered as a form of social consciousness or a myth as a means of constructing reality. The corporate mythology is analyzed through representation and formation of professional identity, within the archetypal matrix included in the professional community. Identification of the ideal-typical construction describing the cultural shape of designers’ community is of great interest. The article contains a qualitative analysis of the Russian designer Artemy Lebedev’s biographical discourse, which is made to define the specificity of mythmaking. This analysis is based on Internet resources.

About the Author

Anna V. Mantorova
Perm State Institute of Culture
Russian Federation
18, Gazety “Zvezda” Str., Perm, 614000


References

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Review

For citations:


Mantorova A.V. The Casus of Artemy Lebedev in the Context of Professional Designer’s Mythology Formation. Observatory of Culture. 2017;14(4):411-415. (In Russ.) https://doi.org/10.25281/2072-3156-2017-14-4-411-415

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ISSN 2072-3156 (Print)
ISSN 2588-0047 (Online)