“Postfolk Dance”: Investigating a Phenomenon of Modern Dance

Abstract

The idea of synthesis, compilation, collaboration of contemporary dance with folk elements can be seen in various works of modern choreographers. This kind of synthesis is aimed to enrich modern dance with energy and vitality; it is a know-how of modern Russian choreographers. Thus, there is a current need to define this phenomenon, as it appeared in theoretical discourse.

This article investigates a phenomenon of contemporary dance, which has never been theorized before (hereinafter “postfolk dance”). The author makes an effort to distinguish the term “postfolklore” (existing in the modern Russian folklore studies) and the term “postfolk dance”, introduced by the author, by using a comparison chart. The chart shows some similarities and differences in using the term “postfolk” in the studies of modern folklore and contemporary dance (six positions). As a result, “postfolk dance” is defined as quite a new phenomenon in professional postmodern choreography, appearing due to development of interdisciplinary processes and multimedia integrating in modern art techniques. Dance pieces of modern choreographers, where contemporary dance structure is combined with folk elements, creating a certain signature style, are given as examples, i. e. a subject of possible investigation.