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Photography and Visual Comprehension: Key Notions and Research Issues

https://doi.org/10.25281/2072-3156-2014-0-4-107-111

Abstract

Is devoted to dividing key notions and notion pairs used in research of visual comprehension related to the photography specifics. The article aims to elaborate conceptual instruments that may be used to analyse photographic images. The article also covers in brief the aspects of analysing a role of the visual in the personal relation to actuality and photography reality.

About the Author

Artyom A. Loginov
Гуманитарный колледж Российского государственного гуманитарного университета (Москва)
Russian Federation


References

1. Флюссер В. За философию фотографии. - СПб., 2008.

2. Луман Н. Реальность массмедиа. - М., 2005.

3. Гройс Б., Пепперштейн П. Диалог о прозрачности [Электронная ресурс]. - Режим доступа: http://www.wkzinfo.ru/russia/pepperstejn/grojs.shtml

4. Husserl E. Phantasy and Image Consciousness // Phantasy, Image Consciousness and Memory (1898-1925). Тrans. John B. Brough. - 2005.

5. Wiesing L. Artificial presence: philosophical studies in image theory. Тrans. by Nils F. Schott. - Stanford, 2010.


Review

For citations:


Loginov A.A. Photography and Visual Comprehension: Key Notions and Research Issues. Observatory of Culture. 2014;(4):107-111. (In Russ.) https://doi.org/10.25281/2072-3156-2014-0-4-107-111

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ISSN 2072-3156 (Print)
ISSN 2588-0047 (Online)