Igor Stravinsky and Academic Guitar Music
https://doi.org/10.25281/2072-3156-2015-0-1-40-45
Abstract
Presents the results of the study in classical guitar music by Stravinsky. The author considers three pieces by Stravinsky where he used guitar and his transcription of the “Four Russian songs” suite (version of 1953-1954) that included a guitar part. The specificity of interpretation of the tone quality, the instrument capabilities in Stravinsky’s understanding and the features of composer’s style apparent in this music cycle are revealed. The author also focuses on the bell ringing effects that are particular of the piece.
About the Author
Yulia A. Finkelshtein
Государственная классическая академия им. Маймонида (Москва)
Russian Federation
Russian Federation
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Review
For citations:
Finkelshtein Yu.A. Igor Stravinsky and Academic Guitar Music. Observatory of Culture. 2015;(1):40-45. (In Russ.) https://doi.org/10.25281/2072-3156-2015-0-1-40-45
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