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“Radical Orthodoxy” and the Search for the Sacred in Contemporary Russian Culture

https://doi.org/10.25281/2072-3156-2026-23-2-214-223

Abstract

Contemporary philosophy of culture faces an identity crisis driven by societal atomization and desacralization (disenchantment) of the world. This study analyzes Russian cultural and media practices that reinterpret Orthodox archetypes through C. Pickstock’s concept of liturgical order. The author suggests that these practices aim to transcend the trends identified by Byung-Chul Han as the crisis of narrative. Despite the Soviet secular gap, Russia maintains a continuity of Orthodox cultural archetypes, that provides a foundation for the re-integration of the Orthodox narrative into the contemporary landscape. The research demonstrates that Orthodox archetypes, reimagined through modern media space, offer an alternative to Western-centric theoretical models for reconstructing Christian tradition. An analysis of the examples reveals interest in these archetypes in contemporary Russian culture. Thus, the exhibition Russian Incredible interprets constructivism as a “meta-history” of Russian identity, linking the avant-garde with the Orthodox visual tradition. The labyrinthine space, structured on the principle of non-linear narrative, reveals a synthesis of the rational (geometry) and the transcendental, transforming a historical artifact into a transcendental medium. The media practices of the St. Antipas Church implement a soft inculturation of faith through branding, storytelling, and digital initiatives. Secular tools of mass culture become channels for sacred dialogue, avoiding didacticism. In the Russian context, the sacred is not so much reconstructed as actualized, offering an alternative to technocratic utilitarianism and postmodern relativism. Moreover, the popularity of the projects demonstrates a high level of public interest in the agenda. The novelty of this work lies in decolonizing the methodology and discourse of Radical Orthodoxy — a movement in contemporary theology previously focused on the Anglican and Catholic contexts. The study demonstrates that Orthodoxy is not an object of revision, but a resource for dialogue with the digital age. The integration of elements of the liturgical order (C. Pickstock) into contemporary sociocultural practices holds the potential to overcome the crises of secularism. The Russian context offers innovative models that are particularly significant in the post-secular context.

About the Author

Daria S. Litova
Moscow State Institute of International Relations (University)
Russian Federation

76 Vernadsky Ave., Moscow, 119454, Russia

ORCID 0000-0003-4657-2306; SPIN 8640-0000



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Review

For citations:


Litova D.S. “Radical Orthodoxy” and the Search for the Sacred in Contemporary Russian Culture. Observatory of Culture. 2026;23(2):214-223. (In Russ.) https://doi.org/10.25281/2072-3156-2026-23-2-214-223

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ISSN 2072-3156 (Print)
ISSN 2588-0047 (Online)