The Research Exhibition “Fashion That Doesn’t Exist” as a Way of Working with the Fashion Archives of the Southern Urals
https://doi.org/10.25281/2072-3156-2026-23-2-156-163
Abstract
The research exhibition Fashion That Doesn’t Exists (Chelyabinsk, 2024) explores the transformations of the Southern Ural fashion industry over the past 30 years. Initiated by the self-organized LongFashionWeekend team, the project aims to reconstruct local fashion history through archival research. Given the lack of systematic documentation of the region’s fashion scene, the exhibition becomes a tool for understanding regional identity, demonstrating how fashion in the Southern Ural region evolved from the Soviet light industry through the crisis of the 1990s to the emergence of independent brands in the 2010s and 2020s.
As part of the research, an exhibition was held that combined four time periods (1990s, 2000s, 2010s, and 2020s), revealing key phenomena in each period through the prism of design, media, events, and infrastructure. The project placed particular emphasis on an educational program and interactive practices that engage viewers in a dialogue with the past as a means of gathering additional information.
The research revealed the lack of archives and the need to create a permanent exhibition. The project demonstrates that regional fashion is not a marginal phenomenon, but a significant part of cultural heritage, requiring academic understanding as a form of collective memory and a tool for rethinking the industrial heritage of the Southern Urals.
About the Author
Elena A. ErmakovishnaRussian Federation
20 Myasnitskaya Str., Moscow, 109028, Russia
ORCID 0000-0001-7767-081X; SPIN 4291-3996
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Review
For citations:
Ermakovishna E.A. The Research Exhibition “Fashion That Doesn’t Exist” as a Way of Working with the Fashion Archives of the Southern Urals. Observatory of Culture. 2026;23(2):156-163. (In Russ.) https://doi.org/10.25281/2072-3156-2026-23-2-156-163
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