THE FATE OF THE MAIN ICONOSTASIS OF THE CHURCH OF THREE HIERARCHS AT THE RED GATE
https://doi.org/10.25281/2072-3156-2018-15-2-194-205
Abstract
The article is devoted to the history of rescuing from destruction in the 1920s, during the era of revolutionary transformations in Russia, of a magnificent work of the Old Russian art, six-tiered baroque iconostasis, created by icon-painters of the circle of the Armory Chamber of the Moscow Kremlin for the Church of Three Hierarchs at the Red Gate in Moscow in the beginning of the 18th century. The names of the specialists related to preservation of the main iconostasis of the destroyed Church of Three Hierarchs were newly revealed, and the dates of the Church’s closing and demolishing, the iconostasis’ transportation and handover were verified as well, using the results of research work and archival searches, based on the analysis and comparison of numerous archival documents. The main moments of the dramatic struggle for salvation of the Church of Three Hierarchs, the Red Gate and the main iconostasis of the Church are reflected in the article. There is shown how, in the difficult and dangerous conditions of confrontation of the church and the Bolshevik power, the process of transferring of the main treasure of the Church was organized, as well as who and when transported the iconostasis to the Church of St. John the Warrior in Yakimanka Street. The article reviews the selfless work and the heroic deeds of the art historians, architects and restorers, thanks to whose efforts this remarkable monument of carving and painting was saved.
Keywords
About the Author
Galina A. MaksimovaRussian Federation
Galina A. Maksimova
30, Tovarishchesky Lane, Moscow, 109004
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Review
For citations:
Maksimova G.A. THE FATE OF THE MAIN ICONOSTASIS OF THE CHURCH OF THREE HIERARCHS AT THE RED GATE. Observatory of Culture. 2018;15(2):194-205. (In Russ.) https://doi.org/10.25281/2072-3156-2018-15-2-194-205