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| Issue |
Title |
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| Vol 22, No 2 (2025) |
Letters of Ya.E. Brunak to Yu.A. Bakhrushin as a Source on the History of the Formation of Classical Ballet in Vietnam |
Abstract
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Leonid A. Menshikov, Victoria V. Vasilenko, Thi Van Diem Cao |
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| Vol 22, No 2 (2025) |
Stained Glass by Ernst Tode for the German Reformed Church in St. Petersburg: The History and Iconographic Features |
Abstract
|
|
Anna S. Lisitsyna |
| |
| Vol 21, No 6 (2024) |
The Architect Ivan Nosovich House as a Lost Phenomenon of Siberian Private Construction |
Abstract
|
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Olga Yu. Blatova |
| |
| Vol 21, No 5 (2024) |
Alexander Maksimovich Kolchin as a Church Artist of the Classical Era |
Abstract
|
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Anna L. Pavlova |
| |
| Vol 21, No 4 (2024) |
Self-Portrait as Self-Presentation in the Works of Female Painters of the Turn of the 19th—20th Centuries |
Abstract
|
|
Inna I. Savenkova |
| |
| Vol 21, No 3 (2024) |
Anthropology in the Service of Art History: Anna Golubkina and Nathan Altman |
Abstract
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Elizaveta V. Veselovskaya, Yulia V. Rashkovskaya, Alexey A. Antsiferov |
| |
| Vol 21, No 2 (2024) |
Peculiarities of Synthesizing Processes in the Musical and Theatrical Creativity of Alexander Bakshi |
Abstract
PDF (Rus)
|
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Olga A. Putecheva |
| |
| Vol 21, No 2 (2024) |
About Alexey Khomyakov’s Views on Church Painting |
Abstract
PDF (Rus)
|
|
Konstantin I. Maslov |
| |
| Vol 21, No 1 (2024) |
The Features of Vyacheslav Samodurov’s Staging Style |
Abstract
PDF (Rus)
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Denis N. Khisamov |
| |
| Vol 20, No 6 (2023) |
Current Trends of Naming in the Corporate Network of Public Libraries of St. Petersburg |
Abstract
PDF (Rus)
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Aleksei D. Mashkara |
| |
| Vol 20, No 6 (2023) |
Rumyantsev Readings — 2024 |
Abstract
PDF (Rus)
|
|
article editorial |
| |
| Vol 20, No 5 (2023) |
Thomas Bewick — Engraver, Publisher, Innovator |
Abstract
PDF (Rus)
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Irina S. Boldyreva |
| |
| Vol 20, No 4 (2023) |
Konrad Haebler’s Album of Incunabula in Moscow Libraries |
Abstract
PDF (Rus)
|
|
Catherine R. Squires |
| |
| Vol 20, No 4 (2023) |
Plastic Interpretations of the World Artistic Heritage in the Monotypes of Valery Babanov |
Abstract
PDF (Rus)
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Olga Yu. Koshkina |
| |
| Vol 20, No 3 (2023) |
Intellectuals on the Outskirts of the Russian State |
Abstract
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|
article editorial |
| |
| Vol 20, No 3 (2023) |
Domenico Gilardi’s Sketch of a Park Pavilion: Aspects of Attribution |
Abstract
PDF (Rus)
|
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Svetlana E. Tsyshchuk |
| |
| Vol 20, No 3 (2023) |
The Kozma Soldatenkov Art Collection at the Rumyantsev Museum: History and Characteristics of Museumization |
Abstract
PDF (Rus)
|
|
Marfa V. Kuznetsova |
| |
| Vol 20, No 2 (2023) |
Larionov’s Rayonism and Val del Omar’s Cinematic Technique “Tactile Vision” |
Abstract
PDF (Rus)
|
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Olga V. Kolotvina |
| |
| Vol 20, No 2 (2023) |
From Patron to Spectator: Chancellor Nicolas Rolin’s Orders in the Workshops of Jan van Eyck and Rogier van der Weyden |
Abstract
PDF (Rus)
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Elena A. Zabrodina |
| |
| Vol 20, No 1 (2023) |
Moscow in the Works of the “Big Book” Winners: Location, Subject, Image |
Abstract
PDF (Rus)
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Maya E. Babicheva |
| |
| Vol 19, No 6 (2022) |
Drawings by Gustave Doré in M.V. Dobuzhinsky’s Works |
Abstract
PDF (Rus)
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|
Anna E. Zavyalova |
| |
| Vol 19, No 6 (2022) |
Maurice Maeterlinck’s Characters in Russian Book Graphics |
Abstract
PDF (Rus)
|
|
Dmitry V. Fomin |
| |
| Vol 19, No 5 (2022) |
Nikolay Karazin’s Magazine Graphics for the Samara Expedition of 1879 |
Abstract
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|
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Elizaveta R. Chuprikova-Krynskaya |
| |
| Vol 19, No 5 (2022) |
Russian Engraving of the 17th Century in the Studies of Dmitry Rovinsky |
Abstract
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|
|
Oleg R. Khromov |
| |
| Vol 19, No 4 (2022) |
Mikhail Matyushin’s Creative Method and the Russian Avant-Garde |
Abstract
PDF (Rus)
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Elena V. Shakhmatova |
| |
| Vol 19, No 3 (2022) |
Jean-Baptiste Le Prince and the “Russian Theme” in Lavis |
Abstract
PDF (Rus)
|
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Elizaveta Yu. Panova |
| |
| Vol 19, No 3 (2022) |
Early Works of Mstislav Dobuzhinsky and Jugendstil Graphic Art |
Abstract
PDF (Rus)
|
|
Anna E. Zavyalova |
| |
| Vol 19, No 3 (2022) |
Evgeny Kibrik’s Unknown Artworks in the Context of Pavel Filonov’s Natural Philosophy |
Abstract
PDF (Rus)
|
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Olga G. Chichvarina |
| |
| Vol 19, No 2 (2022) |
M.A. Zakharov’s Play “Mystification”: Plot, Composition, Genre |
Abstract
PDF (Rus)
|
|
Aleksandr Yu. Ryaposov |
| |
| Vol 19, No 2 (2022) |
2022 — the Year if Folk Art and Cultural Heritage |
Abstract
PDF (Rus)
|
|
article editorial |
| |
| Vol 19, No 2 (2022) |
From Criticism to Practice: Music in the Early Literary Heritage of V.I. Nemirovich-Danchenko |
Abstract
PDF (Rus)
|
|
Aleksandr V. Naumov |
| |
| Vol 19, No 1 (2022) |
International Research and Practical Conference “Rumyantsev Readings — 2022” |
Abstract
PDF (Rus)
|
|
article editorial |
| |
| Vol 19, No 1 (2022) |
The School of Selected Students in the System of French Academic Art Education of the 18th Century |
Abstract
PDF (Rus)
|
|
Elena E. Agratina |
| |
| Vol 19, No 1 (2022) |
Artist in the Mirror of a Self-Portrait: The Idea and Image in Russian Art of the Early 20th Century |
Abstract
PDF (Rus)
|
|
Yana P. Sholokhova |
| |
| Vol 18, No 6 (2021) |
Vasily Rozanov and the Filosofov Family: Artistic Parallels and Political Passions |
Abstract
PDF (Rus)
|
|
Aleksey V. Lomonosov |
| |
| Vol 18, No 6 (2021) |
Border Markers in the Structure of Paintings by the Artist Sergey Gavrilyachenko |
Abstract
PDF (Rus)
|
|
Elena А. Postnova |
| |
| Vol 18, No 5 (2021) |
Sonatas for Piano Four Hands by Muzio Clementi |
Abstract
PDF (Rus)
|
|
Ksenia S. Kemova |
| |
| Vol 18, No 4 (2021) |
Konstantin Somov’s Early Works and Impressionism: A New View on the Issue |
Abstract
PDF (Rus)
|
|
Anna E. Zavyalova |
| |
| Vol 18, No 4 (2021) |
Paul Hindemith’s Cantata “Frau Musica” in the Context of the Participatory Musical Art Development |
Abstract
PDF (Rus)
|
|
Tatiana A. Tsvetkovskaya |
| |
| Vol 18, No 3 (2021) |
Musical Intonations in N.S. Leskov’s Tale “The Left-Hander” and their Embodiment in the Opera of the Same Name by R.K. Shchedrin |
Abstract
PDF (Rus)
|
|
Tatiana M. Siverskaya |
| |
| Vol 18, No 3 (2021) |
Anton Grigoryevich Rubinstein and his Russian Publishers |
Abstract
PDF (Rus)
|
|
Elena M. Shabshaevich |
| |
| Vol 18, No 3 (2021) |
All-Russian Competition of Scientific Works in Library Science, Bibliography and Bibliology — 2021 |
Abstract
PDF (Rus)
|
|
article editorial |
| |
| Vol 18, No 2 (2021) |
Jean-Honoré Fragonard: The New in the Notions of “Sketchiness” and “Completeness” |
Abstract
PDF (Rus)
|
|
Elena E. Agratina |
| |
| Vol 18, No 2 (2021) |
Alexander Siloti and Jean Roger-Ducasse: About the Production of the Mimodrama “Orpheus” in Petrograd |
Abstract
PDF (Rus)
|
|
Svetlana V. Gorobets |
| |
| Vol 18, No 2 (2021) |
Document Restoration: Conservatism and Innovation |
Abstract
PDF (Rus)
|
|
article editorial |
| |
| Vol 17, No 5 (2020) |
Nadezhda Bromley and Boris Sushkevich: Actors, Directors, Vakhtangov Followers (Materials for a Creative Biography) |
Abstract
PDF (Rus)
|
|
Asya F. Veksler |
| |
| Vol 17, No 4 (2020) |
Paradoxes of Soviet Film Directing (By the Example of R.A. Bykov’s and K.G. Muratova’s Films) |
Abstract
PDF (Rus)
|
|
Vladislava M. Kuimova |
| |
| Vol 17, No 4 (2020) |
Konstantin Somov’s Painting “Non-Existent Porcelain”: Its Conception and Sources |
Abstract
PDF (Rus)
|
|
Anna E. Zavyalova |
| |
| Vol 17, No 3 (2020) |
Virtual Tour of the Russian State Library |
Abstract
PDF (Rus)
|
|
article editorial |
| |
| Vol 17, No 3 (2020) |
Chekhov’s Discourse of World Culture (To the 160th Anniversary of A.P. Chekhov’s Birth) |
Abstract
PDF (Rus)
|
|
Tatiana S. Zlotnikova |
| |
| Vol 17, No 2 (2020) |
Information Resources of the Russian State Library on the Rosinformkultura's Website |
Abstract
PDF (Rus)
|
|
article editorial |
| |
| Vol 17, No 2 (2020) |
Jaspar de Isaac’s Engraving “Narcissus”: On the Sources of Konstantin Somov’s Early Art |
Abstract
PDF (Rus)
|
|
Anna E. Zavyalova |
| |
| Vol 17, No 1 (2020) |
The “Human Rights Activist” Identity in the Axiology and Social Practice of Alexander Esenin-Volpin |
Abstract
PDF (Rus)
|
|
Elena G. Serebryakova |
| |
| Vol 17, No 1 (2020) |
A New Synthesis in the Landscape Painting by Arkhip Kuindzhi and Ferdinand Hodler |
Abstract
PDF (Rus)
|
|
Natalia V. Shtolder |
| |
| Vol 16, No 6 (2019) |
Ippolit Novsky and Vladimir Pollak: In Love with Theatre (Biographical Materials) |
Abstract
PDF (Rus)
|
|
Asya F. Veksler |
| |
| Vol 16, No 6 (2019) |
Titian and Lorenzo Lotto: From the History of Art Dialogue by the Example of the “Collector’s Portrait” |
Abstract
PDF (Rus)
|
|
Evgeny V. Yailenko |
| |
| Vol 16, No 5 (2019) |
A.I. Ziloti’s Educational Activity in St. Petersburg (According to Unpublished Correspondence Materials) |
Abstract
PDF (Rus)
|
|
Svetlana V. Gorobets |
| |
| Vol 16, No 5 (2019) |
“The House on Fontanka”: Formation of the Image of Petersburg in Mstislav Dobuzhinsky’s Works |
Abstract
PDF (Rus)
|
|
Anna E. Zavyalova |
| |
| Vol 16, No 4 (2019) |
Jean-Honoré Fragonard’s Work and the Theatre Culture of the 18th Century |
Abstract
PDF (Rus)
|
|
Elena E. Agratina |
| |
| Vol 16, No 3 (2019) |
About an Honorary Citizen and Happy Mother: The Evolution of the Image of Soviet Woman in the 1930s |
Abstract
PDF (Rus)
|
|
Elena V. Bolotova |
| |
| Vol 16, No 2 (2019) |
Alexandre Dumas’s Works in the Art of Alexandre Benois |
Abstract
PDF (Rus)
|
|
Anna E. Zavyalova |
| |
| Vol 16, No 1 (2019) |
The “Advocate” Identity in Social and Professional Practice of Frida Vigdorova |
Abstract
PDF (Rus)
|
|
Elena G. Serebryakova |
| |
| Vol 16, No 1 (2019) |
On Literary Terror (Based on the Materials of V.V. Rozanov’s Drafts and Unpublished Articles) |
Abstract
PDF (Rus)
|
|
Aleksey V. Lomonosov |
| |
| Vol 15, No 4 (2018) |
The Epistolary Counterpoint in V.V. Rozanov’s Polemic Works (On the Materials of the Manuscripts Department of the Russian State Library) |
Abstract
PDF (Rus)
|
|
Aleksey V. Lomonosov |
| |
| Vol 15, No 2 (2018) |
E.E. LANCERAY’S CREATIVE WORK IN THE GEORGIAN DEMOCRATIC REPUBLIC (1920—1921) |
Abstract
PDF (Rus)
|
|
Pavel S. Pavlinov |
| |
| Vol 15, No 2 (2018) |
ARTIST’S VISUAL REPRESENTATION OF THE PORTRAIT OF HERMANN IN A.S. PUSHKIN’S “QUEEN OF SPADES” |
Abstract
PDF (Rus)
|
|
Vera F. Kapitsa |
| |
| Vol 15, No 2 (2018) |
PUSHKIN AS A “CONNOISSEUR OF LIFE”: THE MAIN PROFILES IN THE AMALGAM OF PUSHKIN’S PHILOSOPHICAL PREFERENCES |
Abstract
PDF (Rus)
|
|
Vladimir I. Krasikov |
| |
| Vol 15, No 1 (2018) |
THE SYNTHETIC METHOD IN I.I. IOFFE’S HISTORICAL AND CULTURAL RESEARCHES OF THE 1930s—1940s |
Abstract
PDF (Rus)
|
|
Lidia A. Sychenkova |
| |
| Vol 15, No 1 (2018) |
COUNT MICHAL KLEOFAS OGINSKI’S MUSICAL COLLECTION FROM THE RUSSIAN STATE ARCHIVE OF ANCIENT ACTS IN MOSCOW |
Abstract
PDF (Rus)
|
|
Renata Ya. Sukhoveiko |
| |
| Vol 15, No 1 (2018) |
ENGRAVINGS BASED ON ADOLPH MENZEL’S DRAWINGS IN THE WORKS OF ALEXANDER BENOIS |
Abstract
PDF (Rus)
|
|
Anna E. Zavyalova |
| |
| Vol 14, No 6 (2017) |
The Composer John Cage’s Experimental Music and the Problems of the American Musical AvantGarde of the 20th Century |
Abstract
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|
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Anatoly N. Lipov |
| |
| Vol 14, No 6 (2017) |
Representation of Women’s Images in the Chinese Graphic Art of the First Half of the 20th Century |
Abstract
PDF (Rus)
|
|
Vera B. Panteleeva |
| |
| Vol 14, No 6 (2017) |
“I Looked into Other Ages...”: E.M. Shapiro — A Poet, Translator, Librarian |
Abstract
PDF (Rus)
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Engelsina S. Ugryumova, Yury M. Denisov |
| |
| Vol 14, No 5 (2017) |
Peter Ivanovich Jurgenson: A Business Owner and Patron of Arts . |
Abstract
PDF (Rus)
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Olga V. Radzetskaya |
| |
| Vol 14, No 5 (2017) |
Abstract Landscape in Richard Diebenkorn’s Works |
Abstract
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Yulia A. Gladkaya |
| |
| Vol 14, No 4 (2017) |
The Evolution of A.N. Scriabin’s Piano Style in the Context of the Cosmogonic Ideas of his Period |
Abstract
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Vladislav S. Stepanov |
| |
| Vol 14, No 4 (2017) |
Frame and Texture: On the Organization of Space in Andrei Tarkovsky’s Films |
Abstract
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Stepan V. Fedotkin |
| |
| Vol 14, No 4 (2017) |
Boris Blank’s Scenography in Vladimir Magar’s Productions |
Abstract
PDF (Rus)
|
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Elena A. Smirnova |
| |
| Vol 14, No 3 (2017) |
Hoff mann’s Works in the Art of Mstislav Dobuzhinsky |
Abstract
PDF (Rus)
|
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Anna E. Zavyalova |
| |
| Vol 14, No 3 (2017) |
The “New Simplicity” in the Musical Art of the 20th — Beginning of the 21st Century |
Abstract
PDF (Rus)
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Natalya P. Ruchkina |
| |
| Vol 14, No 2 (2017) |
The Russian Subject in the Ballet Works of Catterino Cavos |
Abstract
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Aleksandra E. Maksimova |
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| Vol 14, No 2 (2017) |
Creative Activity of Adolf Charlemagne |
Abstract
PDF (Rus)
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Anna A. Filippova |
| |
| Vol 13, No 6 (2016) |
Russian Writers in Emigration: the Creative Path of S.S. Maksimov |
Abstract
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Maya E. Babicheva |
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| Vol 13, No 6 (2016) |
From the Russian Archives: Two New Letters from Hector Berlioz to Alexei Lvov |
Abstract
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Anastasiia A. Syreishchikova |
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| Vol 13, No 5 (2016) |
Peter Tchaikovsky and Grand Duke Konstantin Konstantinovich: the Epistolary Dialogue in the Mirror of K.R.’s Diary |
Abstract
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Grigory A. Moiseev |
| |
| Vol 13, No 5 (2016) |
Priest Portraits by Mikhail Vasilievich Nesterov |
Abstract
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Inessa N. Shokolo |
| |
| Vol 13, No 4 (2016) |
The Year of Tchaikovsky: the Discoveries, Findings, Influence on the Russian Cultural Landscape |
Abstract
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Aleksey A. Barabanov |
| |
| Vol 13, No 4 (2016) |
“The Maid of Orleans”: Schiller and Tchaikovsky |
Abstract
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Marina A. Egorova |
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| Vol 13, No 3 (2016) |
Ethical Orientation of Leo Tolstoy’s “Theatrical Practices” |
Abstract
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Nadezhda V. Trishina |
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| Vol 1, No 2 (2016) |
Art of V.S. Torbokov in the Fine Arts of the Altai Republic |
Abstract
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Aleksey V. Malinov |
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| Vol 1, No 2 (2016) |
Naples in the Works of Alexander Bryullov and his Contemporaries. Speaking of Romanticism |
Abstract
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Natalia A. Kalugina |
| |
| Vol 1, No 1 (2016) |
The Expanding Universe of Victor Popov |
Abstract
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Natalia B. Serbul |
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| Vol 1, No 1 (2016) |
Charity Activities of Countess P.S. Uvarova |
Abstract
PDF (Rus)
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Anastasia S. Plekhanova |
| |
| No 6 (2015) |
Kazimir Malevich: Fractalization as a Way to Suprematism |
Abstract
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Elizaveta A. Anisimova |
| |
| No 6 (2015) |
L. Wittgenstein on the Problem of Escape from Solipsism |
Abstract
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Angelo Loreti |
| |
| No 6 (2015) |
The Ideas of Russian Symbolism of the End of the 19th - Beginning of the 20th Centuries in the Historical-Cultural Typology of P. Sorokin |
Abstract
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Oleg Yu. Astakhov |
| |
| No 5 (2015) |
Synthetic Ideas of Giovanni Lorenzo Bernini in the 20th Century: to the History and Theory of Performance |
Abstract
PDF (Rus)
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Vladislav O. Petrov |
| |
| No 5 (2015) |
Creative Work of A. N. Vertinsky in the Context of the “Silver Age” Cultural Epoch as a Laminar Culture |
Abstract
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Vladimir Yu. Lebedev, Alexey V. Fedorov |
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| No 4 (2015) |
Letters from Nadezhda Woytinskaya-Levidova to Wladimir Woytinsky |
Abstract
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Sergey A. Troitsky, Anna A. Troitskaya |
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| No 4 (2015) |
Creative Methods of A. Golovin and His Similarity to the Activities of the “Union of Russian Artists” |
Abstract
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Natalia A. Grushevskaya |
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