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| Issue |
Title |
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| Vol 22, No 2 (2025) |
Stylistic and Figurative Synthesis in the Work of Masters of the Union of Russian Artists |
Abstract
|
|
Aleksandr V. Samokhin |
| |
| Vol 22, No 1 (2025) |
Aesthetic Features of the Museum’s Cast Iron Collection |
Abstract
|
|
Maya G. Smolina |
| |
| Vol 22, No 1 (2025) |
Interdisciplinary Creative Laboratories for “Sustainable” Heritage Actualization |
Abstract
|
|
Yana V. Malinovskaya |
| |
| Vol 22, No 1 (2025) |
The Manuscript of the Collection of E.E. Egorov, Which Belonged to Archpriest Daniel Temnikovsky |
Abstract
|
|
Tatiana V. Anisimova |
| |
| Vol 21, No 6 (2024) |
Mesmacher Readings — 2025 |
Abstract
|
|
article editorial |
| |
| Vol 21, No 6 (2024) |
A Photographic Album of Chinese Vistas: On the Question of Attribution |
Abstract
|
|
Anastasia M. Kuryanova |
| |
| Vol 21, No 5 (2024) |
The Artists and BAM: “Come and Draw, Again and Again” |
Abstract
|
|
Yana Yu. Lisitsina |
| |
| Vol 21, No 5 (2024) |
Visualization of Fashion in European Engravings of the 16th — Early 18th Century |
Abstract
|
|
Vladimir A. Krasnoshchyokov |
| |
| Vol 21, No 4 (2024) |
Miniaturists — Graduates of the Imperial Academy of Arts on the Modern Art Market |
Abstract
|
|
Lyubov V. Pulikova |
| |
| Vol 21, No 3 (2024) |
World of Music — 2024. Information — Communication — Creativity |
Abstract
PDF (Rus)
|
|
article editorial |
| |
| Vol 21, No 3 (2024) |
Rustaeva N.R. Industrial and Manufacturing Landscape in Soviet Painting of the 1920s—1930s |
Abstract
PDF (Rus)
|
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Nailya R. Rustaeva |
| |
| Vol 21, No 2 (2024) |
Structuring the Museum Audience on the Example of Izhevsk and Votkinsk |
Abstract
PDF (Rus)
|
|
Tatiana A. Vlasova, Konstantin N. Obukhov |
| |
| Vol 21, No 1 (2024) |
Images of Scythian-Siberian Animal Style in Siberian Neoarchaics |
Abstract
PDF (Rus)
|
|
Tatyana V. Zenina |
| |
| Vol 21, No 1 (2024) |
Manuscript Copy of “The Jewish War” by Josephus Flavius “Rukaniskania” of Prince Dmitry Vasilievich Romodanovsky |
Abstract
PDF (Rus)
|
|
Tatiana V. Anisimova |
| |
| Vol 20, No 6 (2023) |
Brocade Papers in the Collection of Russian Books of Civil Printing of the 18th Century of the Russian State Library Book Museum |
Abstract
PDF (Rus)
|
|
Maria B. Zolotova |
| |
| Vol 20, No 6 (2023) |
Vienna 18th Century Rococo Ceremonial Carriages |
Abstract
PDF (Rus)
|
|
Sofia N. Solovyeva |
| |
| Vol 20, No 5 (2023) |
Paintings of the Refectory of the Annunciation Church in the Village of Knyazhevo in the Artistic Culture of the Bezhetsky Region |
Abstract
PDF (Rus)
|
|
Anna L. Pavlova |
| |
| Vol 20, No 5 (2023) |
The Russian Tradition of Publishing Illuminated Bibles |
Abstract
PDF (Rus)
|
|
Ekaterina L. Puganova |
| |
| Vol 20, No 4 (2023) |
Creation of a Miniature Painting Class as an Artistic Cultural Event |
Abstract
PDF (Rus)
|
|
Lyubov V. Pulikova |
| |
| Vol 20, No 3 (2023) |
A Travel Book by an Artist-Pensioner: The Russian Artistic Community in Italy and the Disadvantages of Academic Education |
Abstract
PDF (Rus)
|
|
Arseniy S. Petrov |
| |
| Vol 20, No 3 (2023) |
The Phenomenon of Creative Person in Culture: in Honor of Prof. Fatyuschenko |
Abstract
|
|
article editorial |
| |
| Vol 20, No 3 (2023) |
Ode to Repair: Weaving and Restoration in the Work of Louise Bourgeois |
Abstract
PDF (Rus)
|
|
Galina S. Ignatenko |
| |
| Vol 20, No 2 (2023) |
The Influence of Giovanni Piranesi’s Etchings on the Works of Mstislav Dobuzhinsky |
Abstract
PDF (Rus)
|
|
Anna E. Zavyalova |
| |
| Vol 20, No 1 (2023) |
New Information in the Attribution of “The Table of Princess Sophia” |
Abstract
PDF (Rus)
|
|
Natalya V. Ugleva |
| |
| Vol 20, No 1 (2023) |
On the Design Features of Russian Chests (16th — the First Quarter of the 20th Century) |
Abstract
PDF (Rus)
|
|
Gleb A. Pudov |
| |
| Vol 19, No 6 (2022) |
Still Life as Anthropotechnics (On the Material “Vanitas Vanitatis”) |
Abstract
PDF (Rus)
|
|
Yulia V. Vatolina |
| |
| Vol 19, No 5 (2022) |
Dark Ink in Recipes from Russian Publications of the 18th—19th Centuries |
Abstract
PDF (Rus)
|
|
Yulia I. Vishnyakova |
| |
| Vol 19, No 5 (2022) |
An Index of “Bibliotekovedenie” (Russian Journal of Library Science) for the Period of 70 Years |
Abstract
PDF (Rus)
|
|
article editorial |
| |
| Vol 19, No 3 (2022) |
Historiography of Greek Religious Engravings |
Abstract
PDF (Rus)
|
|
Anna L. Krasnova |
| |
| Vol 19, No 3 (2022) |
“Frost” on Tin — a Technique of Russian Chest Production |
Abstract
PDF (Rus)
|
|
Gleb A. Pudov |
| |
| Vol 19, No 3 (2022) |
Pilgrim Signs in the Context of European Cultural Practices |
Abstract
PDF (Rus)
|
|
Anna A. Troitskaya |
| |
| Vol 19, No 2 (2022) |
Exhibition Activities of the Pavlovsk Palace and Park Ensemble in the 1950s |
Abstract
PDF (Rus)
|
|
Maria V. Vasinskaya |
| |
| Vol 19, No 2 (2022) |
The Historical and Source-Based Aspects of Studying Early Russian Silent Film Posters of 1908—1919 |
Abstract
PDF (Rus)
|
|
Ekaterina M. Mikhalkina |
| |
| Vol 19, No 1 (2022) |
Intangible Cultural Heritage: Conceptual Approaches to the Phenomenon Definition |
Abstract
PDF (Rus)
|
|
Irina A. Kuptsova, Veronika A. Sazonova |
| |
| Vol 19, No 1 (2022) |
“Places of Great Battles”: A Concept of the Cultural Route |
Abstract
PDF (Rus)
|
|
article editorial |
| |
| Vol 18, No 5 (2021) |
Russian Animalistic Art of the 20th Century as a Special Kind of Fine Art |
Abstract
PDF (Rus)
|
|
Irina V. Portnova |
| |
| Vol 18, No 5 (2021) |
Dutch Flower Still Life of 17th Century: Interest and Oblivion through the Centuries |
Abstract
PDF (Rus)
|
|
Olga Yu. Kulakova |
| |
| Vol 18, No 4 (2021) |
Nikolay Karazin’s Graphic Series for the Amu Darya and Samara Expeditions of 1874 and 1879 |
Abstract
PDF (Rus)
|
|
Elizaveta R. Chuprikova-Krynskaya |
| |
| Vol 18, No 4 (2021) |
The Artistic and Religious Canon in the Christian and Muslim Traditions |
Abstract
PDF (Rus)
|
|
Alfia K. Shayakhmetova |
| |
| Vol 18, No 2 (2021) |
Visualization of Images from F.M. Dostoyevsky’s Novel “Crime and Punishment” in Works of the Book Graphic Artist I.T. Bogdesko |
Abstract
PDF (Rus)
|
|
Olga Yu. Koshkina |
| |
| Vol 18, No 2 (2021) |
On the Issue of Non-Fatal Loss of Artistic Values on the Example of Nikolai Milioti’s Works |
Abstract
PDF (Rus)
|
|
Snezhana I. Fokina |
| |
| Vol 18, No 1 (2021) |
A Carved Wooden Door from Kayseri |
Abstract
PDF (Rus)
|
|
Liliya I. Sattarova |
| |
| Vol 18, No 1 (2021) |
Sergey Timofeyevich Konenkov’s Mythopoetics |
Abstract
PDF (Rus)
|
|
Elena I. Bulycheva |
| |
| Vol 17, No 6 (2020) |
Russian Animalism in Relation to Other Genres of Fine Art in the History of Russian Culture of the 18th—19th Centuries |
Abstract
PDF (Rus)
|
|
Irina V. Portnova |
| |
| Vol 17, No 5 (2020) |
Pyotr Ilyich Tchaikovsky and Grand Duke Konstantin Konstantinovich: A Posthumous Dialogue |
Abstract
PDF (Rus)
|
|
Grigory A. Moiseev |
| |
| Vol 17, No 5 (2020) |
Comradeship Meetings of “Dvoryane” and “Konstantinovtsy” — “A Living School for Strengthening Traditions” |
Abstract
PDF (Rus)
|
|
Anatoly M. Panchenko |
| |
| Vol 17, No 4 (2020) |
Robert Forrer and his Legacy’s Significance for Studying the History of Russian Printed Fabrics Industry |
Abstract
PDF (Rus)
|
|
Natalia I. Kovalyova |
| |
| Vol 17, No 3 (2020) |
ABCs of the Revolution |
Abstract
PDF (Rus)
|
|
Egor A. Yesyunin |
| |
| Vol 17, No 2 (2020) |
“V.V. Bessel” Collection in the Russian National Museum of Music |
Abstract
PDF (Rus)
|
|
Anna S. Krivtsova |
| |
| Vol 17, No 1 (2020) |
Administration in the Sphere of Culture, Education and Science. The Master Program |
Abstract
PDF (Rus)
|
|
article editorial |
| |
| Vol 17, No 1 (2020) |
Archetypes of Artistic Form Making in the Context of Architecture — the House and the Temple |
Abstract
PDF (Rus)
|
|
Ekaterina V. Baykova, Marina A. Svetlichnaya |
| |
| Vol 16, No 6 (2019) |
Intuitive Ontology of Poetic Word |
Abstract
PDF (Rus)
|
|
Elena L. Yakovleva |
| |
| Vol 16, No 5 (2019) |
The Rumyantsev Museum’s History in Russian Memoir Sources |
Abstract
PDF (Rus)
|
|
Tatiana Ya. Briskman |
| |
| Vol 16, No 5 (2019) |
Iconostasis in the Liturgical and Church-Historical Contexts |
Abstract
PDF (Rus)
|
|
Margarita M. Loyevskaya |
| |
| Vol 16, No 5 (2019) |
On the History of Early Musical Groups: Instrumental Consorts in England at the Turn of the 16th—17th Centuries |
Abstract
PDF (Rus)
|
|
Tatiana V. Smirnova |
| |
| Vol 16, No 4 (2019) |
A.F. Mantel’s Art Collection in Museums of the Volga Region: Reconstruction Experience |
Abstract
PDF (Rus)
|
|
Olga L. Ulemnova |
| |
| Vol 16, No 3 (2019) |
The Architecture of Kazan in Graphics of the Tatar Satirical Magazines “Yashen” and “Yalt-Yult” |
Abstract
PDF (Rus)
|
|
Firdaus G. Vagapova |
| |
| Vol 16, No 3 (2019) |
“An Actor Is a Priest in Buffoon’s Clothes” |
Abstract
PDF (Rus)
|
|
Marina S. Krutova |
| |
| Vol 16, No 2 (2019) |
Western European Authors of the 18th Century about the Old Russian Bow Instrument — Gudok |
Abstract
PDF (Rus)
|
|
Aleksandra V. Ustyugova |
| |
| Vol 16, No 2 (2019) |
Passeism in the Musical Culture of France |
Abstract
PDF (Rus)
|
|
Galina A. Eremenko |
| |
| Vol 16, No 2 (2019) |
17th Conference for Young Researchers “Actual Problems of the Human and Social Studies” |
Abstract
PDF (Rus)
|
|
article editorial |
| |
| Vol 16, No 1 (2019) |
“For Eternal Storage...”: Regimental Relics of the Era of Paul I |
Abstract
PDF (Rus)
|
|
Bella L. Shapiro |
| |
| Vol 16, No 1 (2019) |
Russian Music Publishing Business: From Commerce to Philanthropy |
Abstract
PDF (Rus)
|
|
Olga V. Radzetskaya |
| |
| Vol 16, No 1 (2019) |
Unrealized Architectural Projects of the 1920s: The Value of Constructivism Ideas |
Abstract
PDF (Rus)
|
|
Marina V. Galkina |
| |
| Vol 15, No 6 (2018) |
A Group of Reliefs from the Village of Mramba (Republic of Abkhazia): Refinement of the Dating |
Abstract
PDF (Rus)
|
|
Ekaterina Yu. Endoltseva |
| |
| Vol 15, No 6 (2018) |
Terra Incognita of Russian Bibliology: On Application and Localization of the Concept of “Russian North” |
Abstract
PDF (Rus)
|
|
Elena S. Trifilova |
| |
| Vol 15, No 6 (2018) |
The Attitude of Ancient Greeks to Writing: A Mystery’s Secret |
Abstract
PDF (Rus)
|
|
Evgeny A. Pleshkevich |
| |
| Vol 15, No 5 (2018) |
Gothic Revival and the Possibility of “Gothic Survival” |
Abstract
PDF (Rus)
|
|
Vladislav V. Degtyarev |
| |
| Vol 15, No 4 (2018) |
Science Citation: Russian Science Citation Index, Web of Science, Scopus |
Abstract
PDF (Rus)
|
|
article editorial |
| |
| Vol 15, No 4 (2018) |
The Musical Iconography of the Private Chambers of Studiolo and Grotta of Isabella d’Este |
Abstract
PDF (Rus)
|
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Elena V. Pankina |
| |
| Vol 15, No 3 (2018) |
The Lashkendar Church and the Alan-Abkhazian Cultural Contacts: Prospects of Studying |
Abstract
PDF (Rus)
|
|
Ekaterina Yu. Endoltseva |
| |
| Vol 15, No 3 (2018) |
Portal to the Past: Depiction of Space in the Book Miniatures in the Renaissance Venice |
Abstract
PDF (Rus)
|
|
Evgeny V. Yaylenko |
| |
| Vol 15, No 3 (2018) |
Deltiological Collection of Pskov Professor Yury Mukhin |
Abstract
PDF (Rus)
|
|
Nadezda A. Kiseleva |
| |
| Vol 15, No 2 (2018) |
THE FATE OF THE MAIN ICONOSTASIS OF THE CHURCH OF THREE HIERARCHS AT THE RED GATE |
Abstract
PDF (Rus)
|
|
Galina A. Maksimova |
| |
| Vol 15, No 1 (2018) |
ICONOGRAPHY OF THE RESURRECTION: THE QUESTION OF DATES OF ORIGIN AND ANCIENT MONUMENTS |
Abstract
PDF (Rus)
|
|
Svetlana V. Ivanova |
| |
| Vol 15, No 1 (2018) |
OLD RUSSIAN ICONOGRAPHIC MONUMENTS OF THE 15th CENTURY AS A SOURCE OF INFORMATION ON BOWED INSTRUMENTS |
Abstract
PDF (Rus)
|
|
Alexandra V. Ustyugova |
| |
| Vol 14, No 6 (2017) |
Покровская гора как смысловая доминанта брянского текста |
Abstract
PDF (Rus)
|
|
Olga V. Voronicheva |
| |
| Vol 14, No 5 (2017) |
Cultural History of Costume: Lace as Terra Incognita |
Abstract
PDF (Rus)
|
|
Bella L. Shapiro |
| |
| Vol 14, No 5 (2017) |
The Origin of Venice According to the City’s Chronicle Tradition and the “Venetian Myth” |
Abstract
PDF (Rus)
|
|
Maria V. Levochskaya |
| |
| Vol 14, No 4 (2017) |
Yury Falik’s “Liturgical Chants”: The Problem of Cyclicity |
Abstract
PDF (Rus)
|
|
Andrey B. Kovalev |
| |
| Vol 14, No 4 (2017) |
Architect Augustus Welby Pugin and the Antiquarian Tradition |
Abstract
PDF (Rus)
|
|
Vladislav V. Degtyarev |
| |
| Vol 14, No 3 (2017) |
The Spider and the Bee Emblem in Edmund Spenser’s Sonnet |
Abstract
PDF (Rus)
|
|
Anastasia A. Gordeeva |
| |
| Vol 14, No 3 (2017) |
Humour in the Museum Space |
Abstract
PDF (Rus)
|
|
Ivan A. Grinko |
| |
| Vol 14, No 2 (2017) |
Musical Intonation on Wind Instruments in Antiquity |
Abstract
PDF (Rus)
|
|
Konstantin A. Kvashnin |
| |
| Vol 14, No 2 (2017) |
Traditions of Copying in the Imperial Academy of Arts |
Abstract
PDF (Rus)
|
|
Anton V. Chubakov |
| |
| Vol 14, No 1 (2017) |
Wassily Kandinsky: the Experience of Reflections on the Art of Abstraction |
Abstract
PDF (Rus)
|
|
Arnold A. Oganov |
| |
| Vol 14, No 1 (2017) |
François Boisrond’s Practice of Painting in the 1980s |
Abstract
PDF (Rus)
|
|
Tatiana V. Malova |
| |
| Vol 13, No 6 (2016) |
On a Source of the “Byzantine Project” by Prince Grigory Gagarin: Dominique Papety |
Abstract
PDF (Rus)
|
|
Konstantin I. Maslov |
| |
| Vol 13, No 6 (2016) |
The Monument of Time: to the History of Creation of the House of Sciences and Arts in Tsaritsyn |
Abstract
PDF (Rus)
|
|
Irina A. Ryabets |
| |
| Vol 13, No 5 (2016) |
Iconostases of the Belarusian Orthodox and Greek-Catholic Churches in the 17th - Early 19th Centuries: the Comparative Aspect |
Abstract
PDF (Rus)
|
|
Halina A. Flikop-Svita |
| |
| Vol 13, No 5 (2016) |
Foreign Publications of the Works by Nikolay Gumilyov in Russian: to the 130th Anniversary of the Poet’s Birth |
Abstract
PDF (Rus)
|
|
Nikolay N. Nosov |
| |
| Vol 13, No 4 (2016) |
“Migrant” Subjects in the Russian and European Caricatures of the Napoleonic Wars Period from the Collection of the State Literary Museum |
Abstract
PDF (Rus)
|
|
Anna E. Kustova |
| |
| Vol 13, No 4 (2016) |
Iconography and Composition of the Portraits of Emperor Maximilian I of Habsburg: the Meaning and Evolution |
Abstract
PDF (Rus)
|
|
Ludmila V. Frolova |
| |
| Vol 13, No 3 (2016) |
Role of the Draft in the European Art: its Functional Evolution and Formal Metamorphoses |
Abstract
PDF (Rus)
|
|
Francisca V. Foortai |
| |
| Vol 13, No 3 (2016) |
Pictorial Collection of a Manor as a Reflection of the Customer’s Life Credo. The Idea of Military Valor Glorification in the Portraits and Paintings of the Olgovo Manor |
Abstract
PDF (Rus)
|
|
Irina G. Basova |
| |
| Vol 1, No 2 (2016) |
image of Guest in the Russian and Japanese Linguocultures |
Abstract
PDF (Rus)
|
|
Alexei D. Palkin |
| |
| Vol 1, No 2 (2016) |
Sun Worship Of The Bai People And Its Reflection In The Folk Art Zhima Of The Yunnan Province |
Abstract
PDF (Rus)
|
|
Karolina V. Yatsenko |
| |
| Vol 1, No 2 (2016) |
Contemporary Issues of the Cultural Heritage Protection in the Republic of Crimea |
Abstract
PDF (Rus)
|
|
Vera V. Novoselskaya |
| |
| Vol 1, No 1 (2016) |
Picture and Image of Dance (Episodes from the Creative Experience of Russian Ballet Masters of the Late 19th - Early 20th Century) |
Abstract
PDF (Rus)
|
|
Tatiana V. Portnova |
| |
| Vol 1, No 1 (2016) |
“To Show the Regicide on Stage”: the History of the Unrealized Presentation of the Play “Paul I” by D.S. Merezhkovsky at the State Theatres in 1917 |
Abstract
PDF (Rus)
|
|
Petr N. Gordeev |
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