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| Issue |
Title |
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| Vol 23, No 4 (2026) |
From Acoustic Ecology to Digital Environments: Soundscape in the Context of Media Art |
Abstract
|
|
Tatiana E. Fadeeva |
| |
| Vol 23, No 4 (2026) |
The Unfamiliar Russian Viewer: An Analysis of Survey Results |
Abstract
|
|
Rimma V. Frolova |
| |
| Vol 23, No 3 (2026) |
Textile Egyptomania of the Late 20th and Early 21st Centuries |
Abstract
|
|
Natalia Yu. Mitrofanova |
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| Vol 23, No 3 (2026) |
Creative Strategy for Choreographer’s Interaction with Artificial Intelligence |
Abstract
|
|
Olga V. Gryzunova |
| |
| Vol 23, No 2 (2026) |
The Social Issues of South Korean Director Bong Joon-Ho’s Film “Parasite” in the Context of Metamodernism |
Abstract
|
|
Rumiya K. Tangalycheva |
| |
| Vol 23, No 1 (2026) |
Sergey Berinsky’s Workshop and Its Traditions in the Creative Work of Composer Marina Shmotova |
Abstract
|
|
Natalya E. Dvinina-Miroshnichenko |
| |
| Vol 23, No 1 (2026) |
Chinese Classical Dance Shen Yun: Synthesis as a Way of Being |
Abstract
|
|
Xue Liu |
| |
| Vol 22, No 6 (2025) |
The Image of Metro Builders in Easel Paintings and Graphics of the 1930s |
Abstract
|
|
Alexander A. Polischuk |
| |
| Vol 22, No 5 (2025) |
Artistic and Technological Features of the Soviet Openwork Filigree of Mstera |
Abstract
PDF (Rus)
|
|
Danil M. Chavushyan |
| |
| Vol 22, No 4 (2025) |
The “Disney Boom” in the Perestroika Period: Mechanisms and Conductors of Cultural Transfer |
Abstract
PDF (Rus)
|
|
Yana M. Kuznetsova |
| |
| Vol 22, No 4 (2025) |
Postmodernism in Russian Metropolitan Architecture in the 1990s—2010s: Rethinking as a Leading Principle |
Abstract
PDF (Rus)
|
|
Dmitry E. Fesenko |
| |
| Vol 22, No 3 (2025) |
Artworks on Fashion Products as a Practice of Appropriation |
Abstract
PDF (Rus)
|
|
Ekaterina S. Ezhova |
| |
| Vol 22, No 3 (2025) |
Digital Technologies and Contemporary Dance Practices in the Context of the Communicative Function |
Abstract
PDF (Rus)
|
|
Anastasia L. Mileshko, Irina G. Belyakova |
| |
| Vol 22, No 2 (2025) |
Trends in Transition from a Work of Art to an Art Object in Children’s Book Publishing |
Abstract
PDF (Rus)
|
|
Olga V. Pozdnyakova |
| |
| Vol 22, No 1 (2025) |
Veneration of Popular Saints as a Cultural Practice in the Search for Justice in Latin America |
Abstract
PDF (Rus)
|
|
Tatiana S. Ivanova |
| |
| Vol 21, No 6 (2024) |
The Role of Historical Sources for Identification of Early Photography |
Abstract
PDF (Rus)
|
|
Natalia Yu. Avetyan |
| |
| Vol 21, No 6 (2024) |
Photographic Art in Graphic Design from the 1890s to the 1960 |
Abstract
PDF (Rus)
|
|
Anastasia Yu. Pronina |
| |
| Vol 21, No 5 (2024) |
Spatial Fantasies in Contemporary Russian Cinema |
Abstract
PDF (Rus)
|
|
Olga V. Sergeyeva, Nadezhda A. Miziryak |
| |
| Vol 21, No 5 (2024) |
Semantics of Transition: Death and Resurrection of the Hero in Film Fantasy at the Turn of the 20th—21st Centuries |
Abstract
PDF (Rus)
|
|
Victoria N. Alesenkova |
| |
| Vol 21, No 4 (2024) |
In Search of Beauty Formula |
Abstract
PDF (Rus)
|
|
Anna G. Zakhovaeva, Maria V. Zhukolina |
| |
| Vol 21, No 4 (2024) |
Reinterpretation of Mythological Characters in Youth Culture |
Abstract
PDF (Rus)
|
|
Anzhela V. Normanskaya |
| |
| Vol 21, No 3 (2024) |
Tea Ceremony in Tan Dun’s Opera “Tea: A Mirror of Soul” |
Abstract
PDF (Rus)
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|
Jun Din, Violetta N. Yunusova |
| |
| Vol 21, No 3 (2024) |
Daniel Barenboim and Chris Maene: Current Trends in Piano Performance |
Abstract
PDF (Rus)
|
|
Ivan V. Kalatai |
| |
| Vol 21, No 2 (2024) |
Models for the Development of Regional Cinematographies in the Russian Federation: Preliminary Observations |
Abstract
PDF (Rus)
|
|
Nina A. Kochelyaeva, Dmitry M. Yakunin |
| |
| Vol 21, No 2 (2024) |
Cultural and Aesthetic Dynamics of Photography as a Form of Contemporary Art |
Abstract
PDF (Rus)
|
|
Alexey A. Guk |
| |
| Vol 21, No 1 (2024) |
Chinese Snowscape As a Phenomenon |
Abstract
PDF (Rus)
|
|
Zhuy Chan, Galina V. Alekseeva |
| |
| Vol 21, No 1 (2024) |
Domestic Art of Viola Performance: H.A. Weickmann and V.R. Bakaleinikov |
Abstract
PDF (Rus)
|
|
Maria D. Radzetskaya |
| |
| Vol 20, No 6 (2023) |
Religious and Ecclesiastical Art of Russia in the 20th—21st Centuries: Posing the Problem of Interaction |
Abstract
PDF (Rus)
|
|
Anna K. Florkovskaya |
| |
| Vol 20, No 5 (2023) |
Textiles as a Type of Decorative and Applied Arts: Constructing a Definition |
Abstract
PDF (Rus)
|
|
Natalia Yu. Mitrofanova |
| |
| Vol 20, No 5 (2023) |
Creative Personality – 2023: Teacher and Mentor |
Abstract
PDF (Rus)
|
|
article editorial |
| |
| Vol 20, No 4 (2023) |
Hell and Heaven: Film Interpretations of Images in the Context of Mental Representations |
Abstract
PDF (Rus)
|
|
Victoria N. Alesenkova |
| |
| Vol 20, No 4 (2023) |
From Laboratory to Gallery: Transfer of Construction Principles of Scientific Knowledge into Works of Science-Art |
Abstract
PDF (Rus)
|
|
Stanislav V. Milovidov |
| |
| Vol 20, No 4 (2023) |
The Role of Immersive Arts in Interpreting Traditional Cultural Phenomena |
Abstract
PDF (Rus)
|
|
XiaoYi Zheng |
| |
| Vol 20, No 3 (2023) |
Ballet without Borders by Vyacheslav Samodurov: the Formation of the Dancer’s Style on the European Stage |
Abstract
PDF (Rus)
|
|
Denis N. Khisamov |
| |
| Vol 20, No 3 (2023) |
Play “Growl, China!” Staged by the Chinese Theatre of Working Youth (Vladivostok) |
Abstract
PDF (Rus)
|
|
Sofia Yu. Gamaley |
| |
| Vol 20, No 2 (2023) |
The Expressiveness of Cinema and the Expressiveness of Myth: On the Affinity of Cinema Language and Mythological Thought |
Abstract
PDF (Rus)
|
|
Aleksey O. Bezzubikov |
| |
| Vol 20, No 2 (2023) |
Tamburstock: Its Practical and Aesthetic Functions in Conducting Parade Concerts |
Abstract
PDF (Rus)
|
|
Andrey A. Nisenbaum |
| |
| Vol 20, No 1 (2023) |
Studies of Art of the Russian North at the State Russian Museum (1940—1970) |
Abstract
PDF (Rus)
|
|
Olga A. Tuminskaya |
| |
| Vol 19, No 6 (2022) |
Pre-Revolutionary Trends of Industrial Architecture: Moscow Power Plants |
Abstract
PDF (Rus)
|
|
Yulia D. Shulenina |
| |
| Vol 19, No 5 (2022) |
Storytelling Techniques and Features of Plot Structure in Web Series |
Abstract
PDF (Rus)
|
|
Artem V. Prokhorov |
| |
| Vol 19, No 5 (2022) |
Ex-Libris as an Information Resource for Studying Book Culture |
Abstract
PDF (Rus)
|
|
article editorial |
| |
| Vol 19, No 4 (2022) |
Dance Culture in the Digital Age |
Abstract
PDF (Rus)
|
|
Olga L. Devyatova, Aleksandra A. Pichueva |
| |
| Vol 19, No 4 (2022) |
Podcasts in Libraries in the USA |
Abstract
PDF (Rus)
|
|
Tatiana E. Savitskaya |
| |
| Vol 19, No 4 (2022) |
Visitors’ Perception of Maritime Museums: Preference Analysis |
Abstract
PDF (Rus)
|
|
Ivan R. Nikolaev |
| |
| Vol 19, No 2 (2022) |
Visualization of Solitude: Street Artist JR’s Works |
Abstract
PDF (Rus)
|
|
Marina E. Vilchinskaya-Butenko |
| |
| Vol 19, No 2 (2022) |
Soldier Theaters in the Russian Army |
Abstract
PDF (Rus)
|
|
Anatoly M. Panchenko, Yulia V. Timofeeva |
| |
| Vol 19, No 2 (2022) |
70 Years of the Russian Journal of Library Science |
Abstract
PDF (Rus)
|
|
article editorial |
| |
| Vol 19, No 1 (2022) |
New Theatre-Fans: Empirical Research Experience |
Abstract
PDF (Rus)
|
|
Alexander A. Ushkarev |
| |
| Vol 19, No 1 (2022) |
Foreign Experience of State and Private Support for Public Art on the Example of the USA |
Abstract
PDF (Rus)
|
|
Ekaterina A. Kartseva |
| |
| Vol 18, No 6 (2021) |
Gods and Demons of Diseases: Japanese Traditional Views on Epidemics and the Ways of Resistance to Them |
Abstract
PDF (Rus)
|
|
Evgeny S. Steiner |
| |
| Vol 18, No 5 (2021) |
Additional Visuals: Current Trends of Filling the Screen Space of a Television Shot |
Abstract
PDF (Rus)
|
|
Vladimir V. Shabalin |
| |
| Vol 18, No 5 (2021) |
Television as a Cultural and Communicative System: Evolution Directions and Modern Boundaries |
Abstract
PDF (Rus)
|
|
Evgeny E. Zakharov |
| |
| Vol 18, No 4 (2021) |
The Russian Far East — China: Ways and Prospects of Interaction in Academic Musical Culture |
Abstract
PDF (Rus)
|
|
Svetlana V. Mezentseva |
| |
| Vol 18, No 4 (2021) |
Dialogues about Culture and Art |
Abstract
PDF (Rus)
|
|
article editorial |
| |
| Vol 18, No 3 (2021) |
Features of the Formation of Visual Series of Music Videos |
Abstract
PDF (Rus)
|
|
Elena A. Mukhortikova |
| |
| Vol 18, No 3 (2021) |
Underwater Park Visitor Center: Its Tasks, Functions, Structure |
Abstract
PDF (Rus)
|
|
Ivan R. Nikolaev |
| |
| Vol 18, No 2 (2021) |
Library Science in the 21st Century: Its Content, Organization, Digitalization and Scientometrics |
Abstract
PDF (Rus)
|
|
article editorial |
| |
| Vol 18, No 2 (2021) |
Transformation of Masculinity in the Russian Cinema |
Abstract
PDF (Rus)
|
|
Ksenia V. Igaeva, Natalia V. Shmeleva |
| |
| Vol 18, No 1 (2021) |
Realistic Painting of the 20th Century China in the Context of Cultural Visualization |
Abstract
PDF (Rus)
|
|
Galina S. Gultyaeva |
| |
| Vol 17, No 6 (2020) |
Specifics of Russian-Chinese Cross-Cultural Communication in the Field of Fine Art of the Second Half of the 20th — Early 21st Century |
Abstract
PDF (Rus)
|
|
Xiaofeng Qin, Natalia A. Fedorovskaya |
| |
| Vol 17, No 6 (2020) |
Redesign and Retro Design as Methods of Creating Works of Modern Art and Design |
Abstract
PDF (Rus)
|
|
Vladimir A. Krasnoshchyokov, Tatiana V. Belko |
| |
| Vol 17, No 5 (2020) |
The Aleksander Kulisiewicz Collection at the United States Holocaust Memorial Museum: An Introduction |
Abstract
PDF (Rus)
|
|
Bret Charles Werb, Maria V. Lebedeva |
| |
| Vol 17, No 4 (2020) |
“Next Generation Library” Journal |
Abstract
PDF (Rus)
|
|
article editorial |
| |
| Vol 17, No 4 (2020) |
Digital Technologies in the Modern Music Space |
Abstract
PDF (Rus)
|
|
Regina R. Budagyan, Marina L. Zaytseva |
| |
| Vol 17, No 3 (2020) |
Mythological Conceptualization in A.O. Balabanov’s Films and Interpretation of “The River” |
Abstract
PDF (Rus)
|
|
Aleksey G. Pudov |
| |
| Vol 17, No 2 (2020) |
Gold Embroidery Style Features of the Mishar Tatars of the Ulyanovsk Region |
Abstract
PDF (Rus)
|
|
Lyudmila M. Shklyaeva |
| |
| Vol 17, No 2 (2020) |
“The Victory Library” Opens to Readers on the Portal of the National Electronic Library |
Abstract
PDF (Rus)
|
|
article editorial |
| |
| Vol 17, No 1 (2020) |
The Issue of Unity of Style in Soviet Cinema in the Late 1920s — Early 1930s (By the Example of Nikolay Iezuitov’s Works) |
Abstract
PDF (Rus)
|
|
Sultan I. Usuvaliev |
| |
| Vol 16, No 6 (2019) |
The Chronotope of Fairy Tale in Guzel Yakhina’s Novel “My Children” |
Abstract
PDF (Rus)
|
|
Olga A. Nesterova |
| |
| Vol 16, No 6 (2019) |
Myth Actualization as a Way to Build the Self-Reflective Plot of the Film “Ilyich’s Gate” |
Abstract
PDF (Rus)
|
|
Aleksey O. Bezzubikov |
| |
| Vol 16, No 5 (2019) |
Experimental Narrative Strategies in Comics |
Abstract
PDF (Rus)
|
|
Tatiana E. Fadeeva, Aleksandra D. Staruseva-Persheeva |
| |
| Vol 16, No 4 (2019) |
The Role of Object Design in the Creation of Animation Imagery. Art Analysis Experience |
Abstract
PDF (Rus)
|
|
Yana A. Parkhomenko, Anatoly Yu. Lugovtsev |
| |
| Vol 16, No 3 (2019) |
Aesthetics of Thomas Newman’s Music to “Six Feet Under” TV Series |
Abstract
PDF (Rus)
|
|
Alexander V. Tavrizyan |
| |
| Vol 15, No 6 (2018) |
Interdisciplinarity and Collaborative Filmmaking in Anthropological Cinema |
Abstract
PDF (Rus)
|
|
Aleksandr E. Oganezov |
| |
| Vol 15, No 6 (2018) |
“Interesting” in the Aesthetic Landscape of the City |
Abstract
PDF (Rus)
|
|
Olga N. Astafyeva, Natalia V. Kuzmina |
| |
| Vol 15, No 5 (2018) |
Human in a Dystopian World: The Approaches of W. Golding and C. McCarthy |
Abstract
PDF (Rus)
|
|
Yulia L. Sapozhnikova |
| |
| Vol 15, No 5 (2018) |
Chinghiz Aitmatov’s Humanistic Principles in On-Screen Interpretations: A Dialogue of Cultures |
Abstract
PDF (Rus)
|
|
Natalya B. Kirillova |
| |
| Vol 15, No 4 (2018) |
Features of the Social Communication and Etiquette in Chinese Culture: The Traditional Basics and Modernity |
Abstract
PDF (Rus)
|
|
Lyana A. Shogenova |
| |
| Vol 15, No 4 (2018) |
Art Museum Audience: The Arguments of Consumer Choice |
Abstract
PDF (Rus)
|
|
Aleksandr A. Ushkarev |
| |
| Vol 15, No 3 (2018) |
System of Micrographics and the Visual Practice of the “New Wave”: To the Defi nition of the Principles of Contemporary Design |
Abstract
PDF (Rus)
|
|
Yi Bu |
| |
| Vol 15, No 2 (2018) |
THE SONG LITURGICAL HYMN AND THE WAYS OF DEVELOPING THE GENRE IN THE MODERN PRACTICE OF THE ROMAN CATHOLIC CHURCH |
Abstract
PDF (Rus)
|
|
Yulia L. Fidenko |
| |
| Vol 15, No 2 (2018) |
CULTURAL CAPITAL AS A DRIVER OF ART CONSUMPTION |
Abstract
PDF (Rus)
|
|
Aleksandr A. Ushkarev |
| |
| Vol 15, No 2 (2018) |
MEDIA COMMUNICATIONS IN THE PROMOTION OF ART AND ARTISTS |
Abstract
PDF (Rus)
|
|
Ekaterina A. Kartseva |
| |
| Vol 14, No 6 (2017) |
The Performing Art of Concertmaster: The Methodological Principles for Ensemble Pianist Training |
Abstract
|
|
Vitaly V. Kalitsky |
| |
| Vol 14, No 5 (2017) |
Tretyakov Gallery: Determinants of Attendance |
Abstract
PDF (Rus)
|
|
Alexander A. Ushkarev |
| |
| Vol 14, No 5 (2017) |
Fashion and Youth Subcultures: Reader’s Aspect |
Abstract
PDF (Rus)
|
|
Damir M. Khafizov |
| |
| Vol 14, No 5 (2017) |
Cultural Practices in the Context of Formation of the Symbolic Capital of Place |
Abstract
PDF (Rus)
|
|
Natalia G. Fedotova |
| |
| Vol 14, No 4 (2017) |
Eurodisco in Russia: From Mainstream into Underground |
Abstract
PDF (Rus)
|
|
Vladimir A. Krasnoshchyokov |
| |
| Vol 14, No 4 (2017) |
The Artistic Jewelry of England (the Second Half of the 20th — Beginning of the 21st Century) |
Abstract
PDF (Rus)
|
|
Irina Yu. Perfilyeva |
| |
| Vol 14, No 4 (2017) |
“Postfolk Dance”: Investigating a Phenomenon of Modern Dance |
Abstract
PDF (Rus)
|
|
Anna S. Polyakova |
| |
| Vol 14, No 3 (2017) |
Sots-Art and the Depiction of Actual Event |
Abstract
PDF (Rus)
|
|
Karina Z. Karaeva |
| |
| Vol 14, No 3 (2017) |
The Role of Spectator in the Screen Arts |
Abstract
PDF (Rus)
|
|
Alexandra D. Staruseva-Persheeva |
| |
| Vol 14, No 2 (2017) |
Songs about Material Love: the Aura of Consumption in the Modern Russian Pop Music |
Abstract
PDF (Rus)
|
|
Darya A. Zhurkova |
| |
| Vol 14, No 2 (2017) |
The Ethnic Component in the Russian Mass Music |
Abstract
PDF (Rus)
|
|
Yuliya V. Antipova |
| |
| Vol 14, No 1 (2017) |
Post-Digital Aesthetics in the Art Practices of the Digital Art |
Abstract
PDF (Rus)
|
|
Anton A. Denikin |
| |
| Vol 14, No 1 (2017) |
The Term of “Interpretation” in Ballet Theory and the Criterion of Artistic Value of Choreographic Interpretation |
Abstract
PDF (Rus)
|
|
Olga V. Kirpichenkova |
| |
| Vol 13, No 6 (2016) |
Art in the Structure of Muscovites’ Leisure Time |
Abstract
PDF (Rus)
|
|
Aleksandr A. Ushkarev |
| |
| Vol 13, No 6 (2016) |
Limits of the Human Being: the Transhumanism in the Modern American Movies |
Abstract
PDF (Rus)
|
|
Aleksander S. Tsygankov |
| |
| Vol 13, No 6 (2016) |
Analysis of Terminology in the Stereoscopic Cinematography |
Abstract
PDF (Rus)
|
|
Oleg N. Raev |
| |
| Vol 13, No 5 (2016) |
Symbol of Death and the “Mortal Cinematic Code” in Yakov Protazanov’s Works |
Abstract
PDF (Rus)
|
|
Olga A. Kirillova |
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